Search results
Results from the WOW.Com Content Network
What links here; Upload file; Special pages; Printable version; Page information; Get shortened URL; Download QR code
Both stones feature a rider sitting atop an eight-legged horse, which some scholars view as Odin. Above the rider on the Tjängvide image stone is a horizontal figure holding a spear, which may be a valkyrie, and a female figure greets the rider with a cup. The scene has been interpreted as a rider arriving at the world of the dead. [21]
Blue Horse I; Blue Horses; The Blue Rider (Kandinsky) Boar hunter (Hermitage Museum) Bonaparte Before the Sphinx; Bonaparte Crossing the Alps; Le Boulevard de Montmartre, Matinée de Printemps; Boulevard Montmartre, Mardi Gras; Boy Leading a Horse; A Break Away! The Bright Side (painting) Bucking Horse and Rider; Bullfight (Goya) Bullfight (Manet)
Buffalo hides, as well as deer, elk, and other animal hides, are painted. Clothing and robes are often brain-tanned to be soft and supple. Parfleches, shields, and moccasin soles are rawhide for toughness. In the past, Plains artists used a bone or wood stylus to paint with natural mineral and vegetable pigments.
Horse and Rider is a 2014 sculpture by American artist Charles Ray. [1] As of June 2015, the equestrian self-portrait was installed in the Art Institute of Chicago's South McCormick Courtyard, in the U.S. state of Illinois. The work is part of "Charles Ray: Sculpture 1997–2014". [2] [3]
Horse and Rider is a beeswax sculpture created 1508–1511 depicting a rider on a horse. The history of the sculpture is unknown before the 20th century. The work has been attributed to Leonardo da Vinci by the Italian art historian Carlo Pedretti, though most other art historians disagree with the attribution.
Get AOL Mail for FREE! Manage your email like never before with travel, photo & document views. Personalize your inbox with themes & tabs. You've Got Mail!
Horse and Rider (FCR 242) is a 1974 bronze equestrian sculpture by Elisabeth Frink. The work was commissioned for a site in Mayfair; another cast is in Winchester. It was described by Frink as "an ageless symbol of man and horse". One of Frink's earliest sculptures from 1950 was also titled Horse and Rider, and she returned to this subject over ...