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The Legend of Good Women is a poem in the form of a dream vision by Geoffrey Chaucer during the fourteenth century.. The poem is the third longest of Chaucer's works, after The Canterbury Tales and Troilus and Criseyde, and is possibly the first significant work in English to use the iambic pentameter or decasyllabic couplets which he later used throughout The Canterbury Tales.
The legend (doubtless made to reconcile the two accounts in the Book of Genesis of the creation of woman, the first of which represents her made with man, and by implication, coequal; and the other as created second and subordinate), is to the effect that God first created Adam and Lilith, equal in authority; that the clashing this led to was ...
"The Ballad of Cassandra Southwick" is a poem written by American Quaker poet John Greenleaf Whittier in 1843. It details the religious persecution of Cassandra Southwick's youngest daughter Provided Southwick, a Quaker woman who lived in Salem, Massachusetts and is the only white female known to be put up at auction as a slave in the United States.
Instead, the poem draws on an older story, repeated in Milton's History of Britain, that Joseph of Arimathea, alone, travelled to preach to the ancient Britons after the death of Jesus. [4] The poem's theme is linked to the Book of Revelation (3:12 and 21:2) describing a Second Coming, wherein Jesus establishes a New Jerusalem.
Ancient authors most commonly referred to the poem as the Catalogue of Women, or simply the Catalogue, but several alternate titles were also employed. [4] The tenth-century encyclopedia known as the Suda gives an expanded version, the Catalogue of Heroic Women (Γυναικῶν Ἡρωϊνῶν Κατάλογος), and another late source, the twelfth-century Byzantine poet and grammarian ...
Marilyn B. Skinner argues that Corinna's poetry is part of the tradition of "women's poetry" in ancient Greece, though it differs significantly from Sappho's conception of that genre. [60] She considers that although it was written by a woman, Corinna's poetry tells stories from a patriarchal point of view, [ 60 ] describing women's lives from ...
[a] The poem is also known as phainetai moi (φαίνεταί μοι lit. ' It seems to me ') after the opening words of its first line. It is one of Sappho's most famous poems, describing her love for a young woman. Fragment 31 has been the subject of numerous translations and adaptations from ancient times to the present day.
Sappho asks the goddess to ease the pains of her unrequited love for this woman; [25] after being thus invoked, Aphrodite appears to Sappho, telling her that the woman who has rejected her advances will in time pursue her in turn. [26] The poem concludes with another call for the goddess to assist the speaker in all her amorous struggles.
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