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Japanese calligraphy (書道, shodō), also called shūji (習字), is a form of calligraphy, or artistic writing, of the Japanese language. Written Japanese was originally based on Chinese characters only , but the advent of the hiragana and katakana Japanese syllabaries resulted in intrinsically Japanese calligraphy styles.
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Zenga is a style of Chinese and Japanese calligraphy and painting, done in ink. The term is most often used for artwork by Buddhist monks, often without formal artistic training, and is sometimes contrasted with "nanga," or "literati painting," made by scholars. [1] In many instances, both calligraphy and image will be in the same piece.
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Many East Asian scripts can be written horizontally or vertically. Chinese characters, Korean hangul, and Japanese kana may be oriented along either axis, as they consist mainly of disconnected logographic or syllabic units, each occupying a square block of space, thus allowing for flexibility for which direction texts can be written, be it horizontally from left-to-right, horizontally from ...
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Bokuseki (墨跡) is a Japanese term meaning "ink trace", and refers to a form of Japanese calligraphy and more specifically a style of zenga developed by Zen monks. Bokuseki is often characterized by bold, assertive, and often abstract brush strokes meant to demonstrate the calligrapher's pure state of mind (see Samadhi ).
Fujiwara no Yukinari (藤原 行成, 972 – January 3, 1028 [1]), also known as Fujiwara no Kōzei, [2] was a Japanese calligrapher (shodoka) during the Heian period. He was memorialized for his prowess in his chosen art by being remembered as one of the outstanding Three Brush Traces ( Sanseki 三跡), along with Ono no Michikaze and Fujiwara ...