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The Rape of Proserpina (Italian: Ratto di Proserpina), more accurately translated as The Abduction of Proserpina, [1] is a large Baroque marble group sculpture by Italian artist Gian Lorenzo Bernini, executed between 1621 and 1622, when Bernini's career was in its early stage.
The Sleeping Hermaphrodite is an ancient marble sculpture depicting Hermaphroditus life size. In 1620, Italian artist Gian Lorenzo Bernini sculpted the mattress upon which the statue now lies. The form is partly derived from ancient portrayals of Venus and other female nudes, and partly from contemporaneous feminised Hellenistic portrayals of ...
The Bust of Cardinal Richelieu is a marble sculpture by the Italian sculptor Gian Lorenzo Bernini, situated at the Louvre in Paris.. Richelieu had hoped to commission Bernini to make a full-length sculpture, through his friend Jules Mazarin and the French ambassador in Rome François Annibal d'Estrées, but Pope Urban VIII would not permit it, so the sculpture became a bust, sculpted by ...
Lorenzo Bartolini, (Italian, 1777–1850), La Table aux Amours (The Demidoff Table), Metropolitan Museum of Art, New York City, Marble sculpture. Marble has been the preferred material for stone monumental sculpture since ancient times, with several advantages over its more common geological "parent" limestone, in particular the ability to absorb light a small distance into the surface before ...
The Bust of Costanza Bonarelli is a marble sculpture created by Gian Lorenzo Bernini during the 1630's. [1] The piece is currently being shown in the Museo Nazionale del Bargello in Florence, Italy.
Image credits: JamesLucasIT Sculpture as an art form dates back to 32,000 years B.C. Back then, of course, small animal and human figures carved in bone, ivory, or stone counted as sculptures.
A marble sculpture bought for $6 and used as a doorstep could be about to make a fortune. The bust, made by French sculptor Edmé Bouchardon, could make over $3 million at auction after a local ...
Dusk is a marble sculpture by Michelangelo, datable to 1524–1534. It is paired with Dawn on the tomb of Lorenzo II de' Medici. Among the various iconographic meanings proposed, the statue is seen as an emblem of the phlegmatic temperament or of the elements of water or earth.
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