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Willard Hampton George (July 20, 1889 – October 24, 1956) was an American furrier based in Los Angeles, California. He designed, created, and supplied furs to the Hollywood movie studios from the 1920s onwards. George designed and created furs for Hollywood actresses including Lucille Ball, Greta Garbo, and Rita Hayworth.
The city of Los Angeles, a leading centre of the world's fashion industry, moved on Tuesday towards becoming the largest U.S. metropolis to outlaw the sale and manufacture of most fur products ...
Bullocks Wilshire, located at 3050 Wilshire Boulevard in Los Angeles, California, is a 230,000-square-foot (21,000 m 2) Art Deco building. The building opened in September 1929 as a luxury department store for owner John G. Bullock (owner of the more mainstream Bullock's in Downtown Los Angeles). [2]
This is a list of department stores and some other major retailers in the four major corridors of Downtown Los Angeles: Spring Street between Temple and Second ("heyday" from c.1884–1910); Broadway between 1st and 4th (c.1895-1915) and from 4th to 11th (c.1896-1950s); and Seventh Street between Broadway and Figueroa/Francisco, plus a block of Flower St. (c.1915 and after).
William Wolfskill (1798–1866) [1] was an American-Mexican pioneer, cowboy, and agronomist in Los Angeles, California beginning in the 1830s. He had earned money for land in a decade as a fur trapper near Santa Fe, New Mexico, where he had become a Mexican citizen. This enabled him to own land in California.
The single, the first from Toto IV, set the stage for the album's enormous multi-platinum success. "Rosanna" went to No. 2 on Billboard 's Hot 100 and won four Grammys, including Record of the Year.
Cher's pointed fashion choice for Hollywood's biggest night in 1986 made for a moment never to be forgotten.. In the documentary Bob Mackie: Naked Illusion, the iconic singer, 78, looks back at ...
The Los Angeles Times reviewed the reunion tour at the Anaheim House of Blues on April 12, the night before the recorded performances in Los Angeles. The Times stated that it was a sold-out show that mixed old and new material and noted the "Bowie-esque magnetism" of front man Richard Butler.