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The Dovells in 1962. The Dovells were an American doo-wop group, formed at Overbrook High School in Philadelphia in 1957, under the name 'The Brooktones'. [1] The original members were Arnie Silver, Len Borisoff, Jerry Gross (alias Summers), Mike Freda, and Jim Mealey (alias Danny Brooks). Their first single "No, No, No" was a local hit for The ...
In 1962, the Dovells' fellow Cameo-Parkway artist Chubby Checker released his rendition of "Bristol Stomp" on the soundtrack album for the Columbia Pictures movie Don't Knock the Twist. Checker performs lead vocals with the Dovells providing backup. Though not as instrumentally polished as the Dovells' original, this take added more pep.
The Dovells added dance themed lyrics and vocals to their cover of the song and it was released in 1963. Although unrelated to specifically describing the much later music genre of the same name the song has the first known instance of the phrase "hip hop" in a recording, the lyric "...you gotta slop, bop, flip flop, hip hop, never stop".
Barry also made film appearances with the Dovells in films such as Don't Knock the Twist and toured the UK with the Motown Revue. Barry also had guest appearances on US television on Bandstand and later American Bandstand, Shindig, and Hullabaloo. Soon after leaving the group, Barry recorded his first solo single, "Lip Sync". [4]
In 1961, the Dovells reached #2 on the Billboard Hot 100 with a song called "The Bristol Stomp", which refers to Bristol, Pennsylvania, and includes the line "We ponied and twisted and we rocked with Daddy G". Since Gene Barge had earlier co-written "A Night With Daddy 'G' - Part 1" and "A Night With Daddy 'G' - Part 2" (Legrand LEG 1004), many ...
The Electric Indian was a studio group assembled and produced by The Dovells lead singer Len Barry which included Daryl Hall of Hall & Oates fame. [1] Barry had an interest in Native American history, possibly inspired by watching The Lone Ranger TV series as a child. [2] Their best-known song was "Keem-O-Sabe" which charted in 1969.
Cameo-Parkway Records was the parent company of Cameo Records and Parkway Records, which were major American Philadelphia-based record labels from 1956 (for Cameo) and 1958 (for Parkway) to 1967.
The Cake; The Canadian Sweethearts; Canned Heat; Cannibal & the Headhunters; The Capitols; Captain Beefheart; Caravan; The Caravelles; Carla Thomas; Carlos Santana