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The loose chemisette is slightly open at the throat, showing a string of pearls and a little black ribbon hanging down on the bosom. Dark background; the figure is lighted from above to the left. Half-length, life size. Formerly known as "La Crasseuse." Signed in the centre at foot, "Rembrandt f. 1651"; canvas, 31 inches by 25 inches.
Rembrandt and workshop. Companion piece to 132b Portrait of Petronella Buys: 1635: Oil on panel: 78.8 x 65.3: Leiden Collection, New York: 132b: Rembrandt and workshop. Companion piece to 132a Portrait of a Man in a Slouched Hat and Bandoleer: 1635: Oil on canvas: 78.5 x 65.7: Kawamura Memorial DIC Museum of Art, Sakura: 133a: Rembrandt and/or ...
The Senses is a series of five oil paintings, completed c. 1624 or 1625 by Rembrandt, depicting the five senses. [1] The whereabouts of one, representing the sense of taste, is unknown. Another, representing smell, was only re-identified in 2015.
Rembrandt Harmenszoon van Rijn (/ ˈ r ɛ m b r æ n t, ˈ r ɛ m b r ɑː n t /; [2] Dutch: [ˈrɛmbrɑnt ˈɦɑrmə(n)ˌsoːɱ vɑn ˈrɛin] ⓘ; 15 July 1606 [1] – 4 October 1669), usually simply known as Rembrandt, was a Dutch Golden Age painter, printmaker, and draughtsman.
A painting by Rembrandt, thought to have been done by his assistants, has been declared an authentic work created by the Dutch Master A Museum Just Discovered It Has Owned a Rembrandt for Over 60 ...
Inscribed Rembrandt f. 1635 The Baptism of the Eunuch: c. 1635?? Staatliche Graphische Sammlung München: Related to a lost painting by Rembrandt that was reproduced in a print by his associate Jan van Vliet in 1631 The Lamentation over the Dead Christ: c. 1635?? Kupferstichkabinett Berlin: The drawing is related to the painting W113
Slaughtered Ox, 1655.Oil on panel. 95.5 x 68.8 cm. Louvre, Paris. Slaughtered Ox, also known as Flayed Ox, Side of Beef, or Carcass of Beef, is a 1655 oil on beech panel still life painting by Rembrandt.
Rembrandt's teachers in Leiden were Jacob van Swanenburgh [note 1] (from 1621 to 1623, [5] with whom he learned pen drawing [6]) and Joris van Schooten. [note 2] [7]However, his six-month stay in Amsterdam in 1624, with Pieter Lastman and Jan Pynasc, was decisive in his training: Rembrandt learned pencil drawing, the principles of composition, and working from nature. [6]