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Viking ship, detail from the Överhogdal tapestries Detail from one of the Överhogdal tapestries The five tapestry pieces Three panels from Överhogdal tapestries. The Överhogdal tapestries (Swedish: Överhogdalstapeten) are a group of extraordinarily well-preserved textiles dating from the late Viking Age or the Early Middle Ages that were discovered in the village of Överhogdal in ...
Mary Farmer (6 August 1940 – 1 February 2021) was a UK-based weaver of tapestries and rugs, she led developments in tapestry in the late 20th century with a number of roles across higher education culminating in Course Director at the Royal College of Art. Her client list included royalty, government departments, major corporations, museum ...
In the same group of 1893 essays, he expressed his views of tapestry designs. He wrote: "As in all wall decoration, the first thing to be considered in designing of Tapestry is the force, purity and elegance of the silhouette of the objects represented, and nothing vague or indeterminate is admissible.
The six original tapestries illustrate the story of the Grail quest as told in Sir Thomas Malory's 1485 book Le Morte d'Arthur.Like other Morris & Co. tapestries, the Holy Grail sequence was a group effort, with overall composition and figures designed by Edward Burne-Jones, heraldry by William Morris, and foreground florals and backgrounds by John Henry Dearle.
The Lady and the Unicorn: À mon seul désir (Musée national du Moyen Âge, Paris). The Lady and the Unicorn (French: La Dame à la licorne) is the modern title given to a series of six tapestries created in the style of mille-fleurs ("thousand flowers") and woven in Flanders from wool and silk, from designs ("cartoons") drawn in Paris around 1500. [1]
The tapestry weighs over one tonne. According to the cathedral, it is the largest tapestry made in one single piece. [10] However, the Guinness Book of Records lists a 2018 tapestry in Peru, at 288.5 square metres (3,105 sq ft), as the largest. [11] In 2015, it underwent surface cleaning and minor repairs. [1] [12]
"The Unicorn Rests in a Garden," also called "The Unicorn in Captivity," is the best-known of the Unicorn Tapestries. [1]The Unicorn Tapestries or the Hunt of the Unicorn (French: La Chasse à la licorne) is a series of seven tapestries made in the South Netherlands around 1495–1505, and now in The Cloisters in New York.
A study of the work suggests that Goya did not pay much attention to the details in order to avoid problems for the weavers, or else he chose to ignore them because he was unaware of what they meant. A letter from Goya, dated 30 October 1776, reveals that the painter had obtained autonomy as a tapestry painter.