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Fender amplifiers would become favorites of guitarists like Jimi Hendrix, Eric Clapton, and Stevie Ray Vaughan, also known in these cases for playing Fender guitars. Fender amps have come in many configurations and styles. The early K&F and Fender amplifiers relied upon vacuum tube circuitry, with solid-state models appearing in the late 1960s ...
Fender Silverface Bassman amp AB165 amplifier, with a 2×15" speaker cabinet. The Fender Bassman is a series of bass amplifiers introduced by Fender during 1952. [citation needed] Initially intended to amplify bass guitars, musicians used the 5B6 Bassman to amplify other instruments, including electric guitars, harmonicas, and pedal steel guitars.
In 2012, Fender released the Super Champ X2, a redesign of the XD. The X2 is designed to interface with the FUSE software used by the Fender Mustang series of modeling solid-state amplifiers, and is also available in both combo and discrete head/speaker cabinet units.
The Fender Super Reverb is a guitar amplifier made by Fender. It was originally introduced in 1963 and was discontinued in 1982. The Super Reverb was a Fender Super amplifier with built-in reverb and "vibrato" (actually tremolo). The original Super Reverb amplifiers were all-tube designs and featured spring reverb.
The Hot Rod DeVille is a modified version of the earlier Fender Blues DeVille from the Blues amplifier line and has a higher level of gain in its preamplification signal. The DeVille incorporates a 60 watt amplifier and has been offered in two different models: a 212, with 2, 12-inch speakers and a 410, with 4, 10-inch speakers. The 410 ...
Fender produced a solid state Princeton from 1988 to 2001, the Princeton Chorus. Models from 1988-1991 ("red knob") were made in USA, models from 1991-1997 ("black knob") were also made in USA, and models from 1998-2001 ("black knob") were made in Mexico. This model was notable for its two independent 25.5-watt amplifiers running in stereo mode.
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