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War and Peace (Russian: Война и мир, romanized: Voyna i mir) is a 1966–1967 Soviet epic war drama film co-written and directed by Sergei Bondarchuk, adapted from Leo Tolstoy's 1869 novel.
War and Peace (Russian: Война и мир, romanized: Voyna i mir; pre-reform Russian: Война и миръ; [vɐjˈna i ˈmʲir]) is a literary work by the Russian author Leo Tolstoy. Set during the Napoleonic Wars, the work comprises both a fictional narrative and chapters in which Tolstoy discusses history and philosophy. An early ...
Voyna i mir. Voyna i mir I: Andrey Bolkonskiy (1965) Voyna i mir II: Natasha Rostova (1966) Voyna i mir III: 1812 god (1967) Voyna i mir IV: Pierre Bezukhov (1967) Watchers. Watchers (1988) Watchers II (1990) Watchers 3 (1994) Watchers Reborn (1998) What Price Glory. What Price Glory (1926) The Cock-Eyed World (1929) Women of All Nations (1931 ...
Gennady Alekseyevich Myasnikov (Russian: Геннадий Алексеевич Мясников; 12 September 1919 – 16 January 1989) was a Soviet production designer and artist.
From 1914 to 1919, Vera Karalli would appear in approximately sixteen Russian silent films, including the 1915 adaptation of Leo Tolstoy's War and Peace titled Voyna i mir. Her last film appearance was in a German dramatic release entitled Die Rache einer Frau (English title: A Woman's Revenge) in 1921.
Anatole Vasilyevich Kuragin (Russian: Анатолий (Анатоль) Васильевич Курагин) is a fictional character in Leo Tolstoy's 1869 novel War and Peace, [1] its various cinematic adaptations, and an operatic adaptation as well. [2]
Princess Maria [1] Nikolaevna Bolkonskaya (Russian: Мария Болконская, Mariya Bolkonskaia) is a fictional character in Leo Tolstoy's 1869 novel War and Peace. Princess Maria, the sister of Prince Andrei Bolkonsky , is a deeply religious young woman who has resigned herself to an unmarried life to be with her domineering father ...
He is possibly based on Tolstoy's cousin Prince Sergey Volkonsky, who was a hero of the Napoleonic Wars and later a Decembrist. [citation needed] However, author Laura Jepsen's view is that unlike "many of the other characters for whom the author found living prototypes, Prince Andrei is entirely fictitious".