Search results
Results from the WOW.Com Content Network
Emerson Overture for Piano and Orchestra or Emerson Concerto (1911–12, incomplete, but re-used for the first movement of Piano Sonata No.2) Matthew Arnold Overture (1912, inc.) Overture and March: 1776 (1904, rev. 1910; re-used in "Putnam's Camp" from Three Places in New England and Holidays Symphony) Overture in G Minor (1899, inc.)
Piano Concerto No. 17 (Mozart) Piano Quartet No. 2 (Oswald) Piano Sonata in G major (Tchaikovsky) Piano Sonata in G major, D 894 (Schubert) Piano Sonata No. 2 (Hindemith) Piano Sonata No. 5 (Mozart) Piano Sonata No. 10 (Beethoven) Piano Sonata No. 16 (Beethoven) Piano Sonata No. 25 (Beethoven) Piano Sonatas Nos. 19 and 20 (Beethoven) Piano Trio ...
D 597, Overture in C major for piano duet, in the Italian Style (1817, version for piano duet of D 591) D 668, Overture in G minor for piano duet (1819) D 675, Overture in F major for piano duet (1819?, first published as Op. 34) D 773, Overture to the Opera Alfonso und Estrella for piano duet (1823, version for piano duet of the Overture from ...
Maurice Ravel's Piano Concerto in G major, was composed between 1929 and 1931. The piano concerto is in three movements, with a total playing time of a little over 20 minutes. Ravel said that in this piece he was not aiming to be profound but to entertain, in the manner of Mozart and Saint-Saëns. Among its other influences are jazz and Basque ...
Leonore No. 3 Overture, Op. 72b (1806); one of a series of overtures composed for the opera Leonore, later renamed Fidelio. Leonore No. 3 is well known for portraying some of the major events of the plot in a condensed, purely orchestral form, most notably the distant trumpet fanfares of the finale.
Hamlet, Op. 67b (1891), incidental music for Shakespeare's play. The score uses music borrowed from Tchaikovsky's overture of the same name, as well as from his Symphony No. 3, and from The Snow Maiden, in addition to original music that he wrote specifically for a stage production of Hamlet.
Op. 115, Overture and incidental music, Manfred (1848–49) Op. 116, Der Königssohn , for solos, chorus and orchestra (1851) Op. 117, 4 Husarenlieder of N. Lenau (for baritone) (1851) Op. 118, Drei Sonaten für die Jugend (Three Piano Sonatas for the Young) (1853) Op. 119, 3 Gedichte from Die Waldliedern of S. Pfarrius (1851)
Overture (from French ouverture, lit. "opening") is a music instrumental introduction to a ballet, opera, or oratorio in the 17th century. [1] During the early Romantic era, composers such as Beethoven and Mendelssohn composed overtures which were independent, self-existing, instrumental, programmatic works that foreshadowed genres such as the symphonic poem.