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An audience in Tel Aviv, Israel, waiting to see the Batsheva Dance Company Audiences at the 2013 World Championships in Athletics in Moscow, Russia. An audience is a group of people who participate in a show or encounter a work of art, literature (in which they are called "readers"), theatre, music (in which they are called "listeners"), video games (in which they are called "players"), or ...
Thrust stages may be similar to proscenium stages but with a platform or performance area that extends into the audience space so that the audience is located on three sides. In theatre in the round, the audience is located on all four sides of the stage. The fourth type of stage incorporates created and found stages which may be constructed ...
An aside is a dramatic device in which a character speaks to the audience. By convention, the audience is to realize that the character's speech is unheard by the other characters on stage. It may be addressed to the audience expressly (in character or out) or represent an unspoken thought.
Apron: The front area of the stage, nearest the audience; the portion of the stage in front of proscenium arch. [2] Aside: A line spoken by an actor/actress directly to the audience, unheard by the other performers on-stage. [2] Assistant director: Works very closely with the director and with the cast. They will gather research on the ...
Drama is the specific mode of fiction represented in performance: a play, opera, mime, ballet, etc., performed in a theatre, or on radio or television. [1] Considered as a genre of poetry in general, the dramatic mode has been contrasted with the epic and the lyrical modes ever since Aristotle's Poetics (c. 335 BC)—the earliest work of dramatic theory.
Interactive theatre is a presentational or theatrical form or work that breaks the "fourth wall" that traditionally separates the performer from the audience both physically and verbally. In traditional theatre, performance is limited to a designated stage area and the action of the play unfolds without audience members, who function as passive ...
The first thing that the audience of a play sees is the stage set, the physical objects that suggest the world of the play. The stage set is usually indicated by the playwright , but the degree of detail and specificity of this rendering vary from one playwright to another and from one literary period to another.
In Poetics, Aristotle discusses many key concepts of Greek drama, including the moment of tragic recognition (anagnorisis) and the purgation of audience feelings of pity and fear . Perhaps the most significant successor to Aristotelian dramaturgy is the Epic theatre developed by the twentieth century German playwright Bertolt Brecht .