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Lucida Grande (former Mac OS X system font, used from Mac OS X 10.0 to Mac OS X 10.9) Designer: Charles Bigelow, Kris Holmes Class: Humanist : Lucida Sans Designer: Charles Bigelow, Kris Holmes Class: Humanist : FS Me Designer: Jason Smith Class: Humanist : FF Meta Designer: Erik Spiekermann Class: Humanist : Microsoft Sans Serif Designer ...
Poynter Gothic (1997–99) - grotesque sans-serif loosely inspired by sans-serif typefaces designed by Morris Fuller Benton of American Type Founders, including News Gothic and Franklin Gothic. Intended to harmonise with Poynter Oldstyle. Griffith Gothic (1997–2000) - revival of Bell Gothic by Chauncey H. Griffith, intended for display sizes ...
Sans-serif lettering and typefaces were popular due to their clarity and legibility at distance in advertising and display use, when printed very large or small. Because sans-serif type was often used for headings and commercial printing, many early sans-serif designs did not feature lower-case letters.
Contrary to their current perception, in its early years, the Bauhaus school printed serif art nouveau typefaces. After some years of design work at the school, Herbert Bayer and Joost Schmidt created the more recognizable proposals—sans-serif geometric letterings, with decorative elements of the font removed for a crisp industrial style.
Skolar (a multi-script font family with Arabic, Cyrillic, Devanagari, Greek, Gujarati and Latin scripts) Skolar Sans (in Arabic, Cyrillic, Greek, Latin) SimSun; Sylfaen (a multi-script serif font family, for various non-Latin scripts and is for the languages Armenian and Georgian) Sutturah (Cyrillic, Latin) Tahoma [6] has a very extensive ...
Slab serif fonts vary considerably: some such as Rockwell have a geometric design with minimal variation in stroke width—they are sometimes described as sans-serif fonts with added serifs. Others such as those of the "Clarendon" model have a structure more like most other serif fonts, though with larger and more obvious serifs.
ITC Benguiat Gothic is a sans-serif variant for the original serif font family. Both faces are loosely based upon typefaces of the Art Nouveau period but are not considered academic revivals. The face follows ITC's design formulary of an extremely high x-height, combined with multiple widths and weights.
Goudy Sans is a sans-serif typeface designed by Frederic Goudy around 1929–1931 and published by Lanston Monotype. [2] [3] [4] [5]Unlike many sans-serifs, which often have an unadorned appearance with a geometric or industrial aesthetic, Goudy Sans has a more organic and decorative structure resembling painted lettering, with flared stroke ends and an avoidance of straight lines, typifying ...
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