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In Greek mythology, Sisyphus or Sisyphos (/ ˈ s ɪ s ɪ f ə s /; Ancient Greek: Σίσυφος Sísyphos) was the founder and king of Ephyra (now known as Corinth). He was a devious tyrant who killed visitors to show off his power. This violation of the sacred hospitality tradition greatly angered the gods. They punished him for trickery of ...
He is regarded to be a chiranjivi, an immortal being, who still roams the world with foul-smelling fluids oozing from his form. [4] Hanuman, a vanara figure from the Ramayana and a companion of Rama, is described to be immortal in Hindu epics. He is believed to live in the Himalayas. [5] The Wandering Jew (b. 1st century BC), a Jewish shoemaker.
Ancient Greek religion generally emphasised immortality, but in the mythos, a number of individuals were made physically immortal as they were resurrected from the dead. The universal resurrection of the dead at the end of the world is a standard eschatological belief in the Abrahamic religions. As a religious concept, resurrection is used in ...
A 16th-century depiction of the Harrowing of Hell by a follower of Hieronymus Bosch. Dante's Limbo is modelled after the Ancient Greek concept of Elysium, the part of the Greek underworld reserved for those in classical mythology who had lived good lives. [10]
Arachne (/ ə ˈ r æ k n iː /; from Ancient Greek: Ἀράχνη, romanized: Arákhnē, lit. 'spider', cognate with Latin araneus) [1] is the protagonist of a tale in Greek mythology known primarily from the version told by the Roman poet Ovid (43 BCE–17 CE), which is the earliest extant source for the story. [2]
Dante Alighieri (Italian: [ˈdante aliˈɡjɛːri]; most likely baptized Durante di Alighiero degli Alighieri; [a] c. May 1265 – September 14, 1321), widely known mononymously as Dante, [b] was an Italian [c] poet, writer, and philosopher. [6]
Greek mythology has changed over time to accommodate the evolution of their culture, of which mythology, both overtly and in its unspoken assumptions, is an index of the changes. In Greek mythology's surviving literary forms, as found mostly at the end of the progressive changes, it is inherently political, as Gilbert Cuthbertson (1975) has argued.
Dante, poised between the mountain of purgatory and the city of Florence, a detail of a painting by Domenico di Michelino, Florence 1465.. The Divine Comedy by Dante Alighieri is a long allegorical poem in three parts (or canticas): the Inferno (), Purgatorio (), and Paradiso (), and 100 cantos, with the Inferno having 34, Purgatorio having 33, and Paradiso having 33 cantos.