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As with China, the number nine is significant and auspicious in Korea, and dragons were said to have 81 (9×9) scales on their backs, representing yang essence. Very occasionally a dragon may be depicted as carrying a giant orb known as the yeouiju (여의주), the Korean name for the mythical Cintamani, in its claws or its
Inmyeonjo is a fantastical animal known to travel across the land and the sky and live a thousand years, symbolizing longevity. It dates back to the Goguryeo period of Korean history, even appearing in cave drawings. The inmyeonjo is said to appear when there is peace on earth, connecting the heavens and the earth for a thousand years.
The Bulgasari or Pulgasari (Korean: 불가사리; RR: Bulgasari; MR: Pulgasari) is a metal-eating legendary creature that appears in Korean mythology and folklore. [1] The creature is a mixture of different animals, which are; a bear, an elephant, a rhino, a tiger and a bull, each representing specific body parts. [2]
Korean mythology (Korean: 한국 신화; Hanja: 韓國神話; MR: Han'guk sinhwa) is the group of myths [a] told by historical and modern Koreans.There are two types: the written, literary mythology in traditional histories, mostly about the founding monarchs of various historical kingdoms, and the much larger and more diverse oral mythology, mostly narratives sung by shamans or priestesses ...
Dokkaebi (Korean: 도깨비) are legendary creatures from Korean mythology and folklore. Dokkaebi, also known as "Korean goblins", [2] [3] are nature deities or spirits possessing extraordinary powers and abilities that are used to interact with humans, at times playing tricks on them and at times helping them. [4]
The 100 Cultural Symbols of Korea [1] [2] (Korean: 백대 민족문화상징; Hanja: 百大 民族文化象徵; RR: Baekdae Minjongmunhwasangjing; MR: Paektae Minjongmunhwasangjing) were selected by the Ministry of Culture, Sports and Tourism (at the time of selection, the Ministry of Culture and Tourism) of South Korea on 26 July 2006, judging that the Korean people are representative among ...
East Asian color symbolism. The intermediary colors are in smaller circles. The ten surviving paintings are all drawn with mineral-derived deep-color pigments (jinchae) on Korean paper [20] using an ink brush, with gold leaf in parts. [21] The colors used are the Five Intermediary Colors, excluding violet, as well as black and white. [22]
Stories and practices that are considered part of Korean folklore go back several thousand years. These tales derive from a variety of origins, including Korean Shamanism, Confucianism, Buddhism, and more recently Christianity.