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Like Carmen's Habanera, it is built on a descending chromatic scale as Escamillo describes his experiences in the bullfighting ring. In the chorus praising the toreador, the music turns celebratory and confident in character. [1] Frasquita, Mercédès, Carmen, Moralès, Zuniga and the chorus join for the repeat of the refrain. [2]
Habanera ("music or dance of Havana") is the popular name for "L'amour est un oiseau rebelle" (French pronunciation: [lamuʁ ɛt‿œ̃n‿wazo ʁəbɛl]; "Love is a rebellious bird"), an aria from Georges Bizet's 1875 opéra comique Carmen.
A version with piano accompaniment was published in 1882. [2] [3] It was dedicated to Joseph Hellmesberger. [4] The piece contains an adaptation of the Aragonaise, Habanera, an interlude, Seguidilla, and the Gypsy Dance. Sarasate chose specifically the music with a Spanish character. [1] A performance takes approximately 12 minutes. [4]
Because of the popularity of the Cuban contradanza (habanera), the tresillo variant known as the habanera rhythm was adopted into European art music. For example, Georges Bizet's opera Carmen (1874) has a famous aria, "L'amour est un oiseau rebelle" based on a habanera pattern. The first seven measures are shown below.
Carmen sings the "Habanera", act 1. Bizet, who had never visited Spain, sought out appropriate ethnic material to provide an authentic Spanish flavour to his music. [25] Carmen's habanera is based on an idiomatic song, "El arreglito", by the Spanish composer Sebastián Yradier (1809–65).
The two suites of music from Carmen were arranged by Ernest Guiraud, No. 1 in 1882 : Prélude—Aragonaise (Act IV Entr’acte)—Intermezzo (Act III Entr’acte)—Séguedille—Les dragons d’Alcalá (Act II Entr’acte)—Les toréadors, and No. 2 in 1887: Marche des contrebandiers—Habanera—Nocturne (Act III Air de Micaëla)—Chanson ...
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This is a discography of audio and video recordings of Carmen, a French-language opera by Georges Bizet. The opera premiered at the Opéra-Comique in Paris on 3 March 1875. Carmen is one of the most frequently recorded operas, dating back to a near-complete German acoustical recording in 1908.