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Heracles and Geryon on an Attic black-figured amphora with a thick layer of transparent gloss, c. 540 BCE, now in the Munich State Collection of Antiquities.. Black-figure pottery painting (also known as black-figure style or black-figure ceramic; Ancient Greek: μελανόμορφα, romanized: melanómorpha) is one of the styles of painting on antique Greek vases.
There are around eighty-one vases or fragments of Laconian red-figure vase painting, produced from c.430 for thirty to forty years. [4] The majority of examples were found by Konstantinos Rhomaios at a Laconian settlement at Analipsis hill near Vourvoura during surface survey in 1899-1900, and then in excavations in the undertaken in early 1950s.
The pottery produced in Archaic and Classical Greece included at first black-figure pottery, yet other styles emerged such as red-figure pottery and the white ground technique. Styles such as West Slope Ware were characteristic of the subsequent Hellenistic period, which saw vase painting's decline.
He is considered one of the five great vase painters of Sparta. The Arkesilas Cup, name vase of the Arkesilas Painter, circa 565/560 BC; Paris: Cabinet des Médailles. His conventional name is derived from his name vase, the so-called Arkesilas Cup, a kylix now on display at the Cabinet des médailles of the Bibliothèque nationale de France.
Pseudo-Chalcidian vase painting is an important style of black-figure Greek vase painting, dating to the 6th century BC. Pseudo-Chalcidian vase painting was strongly influenced by Chalcidian vase painting, but also shows influences from Attic and Corinthian vase painting.
Additions to Attic black-figure vase-painters and to Attic red-figure vase-painters, Oxford 1971, pp. 67–80. Joan Tarlow Haldenstein: Little master cups. Studies in 6th century Attic black-figure vase painting, Dissertation University of Cincinnati 1975. Rudolf Wachter: Drinking inscriptions on Attic little-master cups.
Etruscan black-figure hydria, early 5th century BC. The local production of Etruscan vases probably began in the 7th century BC. Initially, the vases followed examples of black-figure vase painting from Corinth and East Greece. It is assumed that in the earliest phase, vases were produced mainly by immigrants from Greece.
Iolaos, Herakles fighting the lion and Athena on a black-figure amphora from the Group of London B 174, c. 540 BC. The scenes can be understood as combining two Greek regions which frequently interacted with each other: Herakles is the hero of the Peloponnese, while Theseus' sons represent the Athenians' conception of themselves. This vase ...
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