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The Two Arabesques (Deux arabesques), L. 66, is a pair of arabesques composed for piano by Claude Debussy when he was still in his twenties, between the years 1888 and 1891. The arabesques contain hints of Debussy's developing musical style. The suite is one of the very early impressionistic pieces of
Catalogue François Lesure des œuvres de Claude Debussy on Musicbrainz (has both versions of Lesure's catalogue, with newer updates to the 2001 version). Piano Library: Claude Debussy Complete list of Debussy piano works with musical extracts, difficulty ratings and recommended editions. Le martyre de Saint-Sébastien, vocal score, transcribed ...
The arabesque emerged in the West as a part of the Classical period in music, defined by the return to classical forms of art from Greece and Rome, and in this case, Arab classical culture. [9] It drew on the simplicity of the art and architecture to "avoid extravagant excess" in the music. [ 9 ]
Debussy c. 1900 by Atelier Nadar (Achille) Claude Debussy [n 1] was a French composer. He is sometimes seen as the first Impressionist composer, although he vigorously rejected the term. He was among the most influential composers of the late 19th and early 20th centuries. Born to a family of modest means and little cultural involvement, Debussy showed enough musical talent to be admitted at ...
Images (usually pronounced in French as ) is a suite of six compositions for solo piano by Claude Debussy. [1] They were published in two books/series, each consisting of three pieces. These works are distinct from Debussy's Images pour orchestre. The first book was composed between 1901 and 1905, and the second book was composed in 1907. [2]
During the process of composition, Debussy is noted to have not looked favorably upon the abilities of either Hall nor the saxophone, and did not work on the commission for months. After a number of visits by Hall to Paris, Debussy had given her a score of Pelléas et Mélisande and continued working on Rhapsodie . [ 2 ]
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"Beau soir" ("Beautiful Evening") is set to a poem by Paul Bourget. The poem paints the picture of a beautiful evening where the rivers are turned rose-colored by the sunset and the wheat fields are moved by a warm breeze. Debussy uses a gently flowing triplet rhythm in the accompaniment, which contrasts the duplets that drive the light melody ...
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