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The indirect speech sentence is then ambiguous since it can be a result of two different direct speech sentences. For example: I can get it for free. OR I could get it for free. He said that he could get it for free. (ambiguity) However, in many Slavic languages, there is no change of tense in indirect speech and so there is no ambiguity.
The subject is the agent Marge in the first sentence and the patient The coffee table in the second sentence. The direct object is the patient the coffee table in the first sentence, and there is no direct object in the second sentence. The situation is similar with the ergative verb sunk/sink in the second pair of
A direct relative clause is used where the relativized element is the subject or the direct object of its clause (e.g. "the man who saw me", "the man whom I saw"), while an indirect relative clause is used where the relativized element is a genitival (e.g. "the man whose daughter is in the hospital") or is the object of a preposition (e.g. "the ...
If the three arguments of a typical ditransitive verb are labeled D (for Donor; the subject of a verb like "to give" in English), T (for Theme; normally the direct object of ditransitive verb in English) and R (for Recipient, normally the indirect object in English), these can be aligned with the Agent and Patient of monotransitive verbs and ...
In linguistics, an object is any of several types of arguments. [1] In subject-prominent, nominative-accusative languages such as English, a transitive verb typically distinguishes between its subject and any of its objects, which can include but are not limited to direct objects, [2] indirect objects, [3] and arguments of adpositions (prepositions or postpositions); the latter are more ...
The dative construction is a grammatical way of constructing a sentence, using the dative case.A sentence is also said to be in dative construction if the subject and the object (direct or indirect) can switch their places for a given verb, without altering the verb's structure (subject becoming the new object, and the object becoming the new subject).
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