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In music, monophony is the simplest of musical textures, consisting of a melody (or "tune"), typically sung by a single singer or played by a single instrument player (e.g., a flute player) without accompanying harmony or chords. Many folk songs and traditional songs are monophonic.
Although in music instruction certain styles or repertoires of music are often identified with one of these descriptions this is basically added music [clarification needed] (for example, Gregorian chant is described as monophonic, Bach Chorales are described as homophonic and fugues as polyphonic), many composers use more than one type of ...
A monophonic synthesizer or monosynth is a synthesizer that produces only one note at a time, making it smaller and cheaper than a polyphonic synthesizer which can play multiple notes at once. This does not necessarily refer to a synthesizer with a single oscillator ; the Minimoog , for example, has three oscillators which are settable in ...
Common types included monophonic texture (a single melodic voice, such as a piece for solo soprano or solo flute), biphonic texture (two melodic voices, such as a duo for bassoon and flute in which the bassoon plays a drone note and the flute plays the melody), polyphonic texture and homophonic texture (chords accompanying a melody). [citation ...
In music, monophony is the simplest of textures, consisting of melody without accompanying harmony. Monophony or monophonic may also refer to: Monophony (Russian Orthodox liturgy), consecutive singing of chants one by one, as opposed to simultaneous singing; Monaural, single-channel sound reproduction, also known as monophonic sound reproduction
In music, a drone is a harmonic or monophonic effect or accompaniment where a note or chord is continuously sounded throughout most or all of a piece. A drone may also be any part of a musical instrument used to produce this effect; an archaic term for this is burden (bourdon or burdon) [1] [2] such as a "drone [pipe] of a bagpipe", [3] [4] the pedal point in an organ, or the lowest course of ...
The monophonic chants of plainsong have a non-metric rhythm, [3] which is generally considered freer than the metered rhythms of later Western music. [3] They are also traditionally sung without musical accompaniment , though recent scholarship has unearthed a widespread custom of accompanied chant that transcended religious and geographical ...
Clausulae represent brief sections of longer polyphonic settings of chant with a note-against-note texture. In some cases, these sections were composed independently and "substituted" for existing setting. These clausulae could then be "troped," or given new text in the upper part(s), creating motets. [9]