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The Jazz Chorus is one of the most famous and successful combo amplifiers from its period and its earliest users included Albert King, Andy Summers (), Chuck Hammer (), Larry Coryell, Robert Smith (of The Cure, although he used the rarer 160 Watt JC-160 with 4 x 10" speakers), Billy Duffy (The Cult, Theatre of Hate), Roger Hodgson of Supertramp, Joe Strummer, John Sebastian of The Lovin ...
The amplifiers he used with the Banshees were a Peavey Heritage, a Marshall MV50 combo and a Roland Jazz Chorus 120. [8] Carruthers stated that he used a similar amp set up to John McGeoch's. He used the "Roland Jazz Chorus with a splitter box, and put one signal to the Peavey for a lead sound, and the other to the Marshall which I have really ...
Reynolds also used a Roland Jazz Chorus-120 amplifier on tour during the 1980s and a Marshall Lead 100 Mosfet used in the clip "Space Age Love Song in with Orchestra" in 2018. [15] For instrumental performances such as "D.N.A," he used a ProCo The Rat in his performances; this distortion pedal was used a lot when Reynolds was in the band in ...
A Roland Jazz Chorus JC-120, which creates Queensrÿche's signature chorus on their clean sound. The band went into the studio in December 2012 to start recording their album. [ 41 ] Between December 2 and 6, the band had recorded drum tracks for the album at the London Bridge Studio , where the band had previously recorded Q2K and part of ...
The Roland ED SC-8850 (Sound Canvas) is a GS-compatible MIDI sound module released in 1999 by Roland under the name RolandED. The SC-8850 was the first sound module to incorporate the new General MIDI Level 2 standard.
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The two set up a date and met a few days later — but neither of them could have imagined they'd fall in love within 14 days. ... "As a guy, you don't love a video of you crying on the internet ...
The Roland JV-1080 (a.k.a. Super JV, Super JV-1080, or simply 1080) is a sample-based synthesizer/sound module in the form of a 2U rack. The JV-1080's synthesizer engine was also used in Roland's XP-50 workstation (1995). Due to its library of high-quality sounds and multi-timbral capabilities, it became a mainstay with film composers. [2]