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The characteristic of Japanese lacquerware is the diversity of lacquerware using a decoration technique called maki-e (蒔絵) in which metal powder is sprinkled to attach to lacquer. The invention of various maki-e techniques in Japanese history expanded artistic expression, and various tools and works of art such as inro are highly decorative ...
A large amount of earthenware and stoneware were recovered from these middens, including approximately 2,000 clay figures, wood products, bones and antler objects and tools, and fragments of baskets and lacquerware. Some objects made of jade, amber and obsidian were not native to the area, and could only have come to this site via trade. The ...
This is the earliest era from which notable quantities of lacquerware have survived, [9] with states, later kingdoms, of Qin and Chu producing the largest number of lacquerware. The state of Chu having the geographical advantage and warmer climates enabled dedicated mass cultivation of lacquer trees and for lacquerware to become a commercial ...
Kohei Kirimoto, an 8th-generation lacquerware artisan, walked through the ruins of his century-old workshop in the Japanese coastal town of Wajima on Thursday, concerned only for his missing cats.
The sap contains the allergenic compound urushiol, which gets its name from this species' Japanese name urushi (urushi (漆)); "urushi" is also used in English as a collective term for all kinds of Asian lacquerware made from the sap of this and related Asian tree species, as opposed to European "lacquer" or Japanning made from other materials.
Maki-e Maki-e enlargement. Maki-e (蒔絵, literally: sprinkled picture (or design)) is a Japanese lacquer decoration technique in which pictures, patterns, and letters are drawn with lacquer on the surface of lacquerware, and then metal powder such as gold or silver is sprinkled and fixed on the surface of the lacquerware.
Lacquerware is a longstanding tradition in Japan [6] [7] and, at some point, kintsugi may have been combined with maki-e as a replacement for other ceramic repair techniques. . While the process is associated with Japanese craftsmen, the technique was also applied to ceramic pieces of other origins including China, Vietnam, and Kor
In terms of lacquerware, black, brown, and gold are the most common colors seen in more modern suzuri-bako. During the Edo period many dowries included a suzuri-bako. [2] Advancements in technology and manufacturing processes during the Meiji period resulted in a development of a number of new box shapes and sizes. [2]
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