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The Apocalypse Now Sessions is an album by the Rhythm Devils. Subtitled The Rhythm Devils Play River Music, and sometimes referred to by that name, it contains music that was recorded for the soundtrack of the film Apocalypse Now. It was released by Passport Records as a vinyl LP in 1980.
The album's title is a reference to the 1979 war film Apocalypse Now. In the United States, the album reached number 64 on the US Billboard 200, number 13 on the US Top R&B/Hip-Hop Albums and number 3 on both the Heatseekers Albums and Catalog Albums charts.
Apocalypse Now is Pere Ubu's third live album, and their first to document a single performance. The show in question, recorded on December 7, 1991, at Schubas Tavern in Chicago, was performed semi-acoustically, with synth-man Eric Drew Feldman instead handling an upright piano, and Jim Jones playing an amplified (and occasionally heavily distorted) acoustic guitar.
Randy Hansen (born December 8, 1954) is an American guitarist best known for his "Rock Tribute Act" honoring Jimi Hendrix. [1] [2] [3] He composed 17 minutes of the soundtrack for the 1979 movie Apocalypse Now, [1] (1980 Academy Award Winner for Best Sound).
Apocalypse Now is a 1979 American epic war film produced and directed by Francis Ford Coppola.The screenplay, co-written by Coppola, John Milius, and Michael Herr, is loosely inspired by the 1899 novella Heart of Darkness by Joseph Conrad, with the setting changed from late 19th-century Congo to the Vietnam War.
The actor reveals how his "Outsiders" pal Tom Cruise got killed off in a "Young Guns" cameo, what it was like bonding for "Breakfast Club" and why he didn't want to do "Mighty Ducks."
Frederic Forrest, a character actor who had a memorable role in 1979’s “Apocalypse Now” and earned an Oscar nomination for “The Rose” in the same year, died Friday in Santa Monica. He ...
The album title is an allusion to the titles of the films Apocalypse Now and The Empire Strikes Back. The group would take a new direction with their sound, partly out of necessity. According to Hank Shocklee, around this time, the disks for every track they had been working on for the past four to five years had been stolen.