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The Boating Party depicts an unknown woman, baby, and man in a sailboat. [10] The boat has a canoe stern, is boomless, and has three thwarts. Cassatt uses bold, dark colors to depict the boatman and bright yellow to contrast the boat and its passengers. The child is held in the woman’s lap with the man facing them and his back to the audience ...
A homage to this painting appears in the final panel of On the False Earths (1977), the seventh volume of Jean-Claude Mézières and Pierre Christin's long-running comic book series Valérian and Laureline. [11] The painting was featured prominently in Jean-Pierre Jeunet's film Le Fabuleux Destin d'Amélie Poulain — released in English as ...
Man painting a boat [48] National Gallery, London 072 15.8 × 24.7 More images: 1883 Man in a boat [49] Courtauld Institute of Art, London 073 115.2 × 24.1 More images: 1883 A Fisherman [50] Yale University Art Gallery, New Haven, Connecticut 074 16.2 × 24.8 More images: 1883 Banks of the Seine near Courbevoie [51] The Hyde Collection, Glens ...
Other paintings from this trip focus on the boats in the harbor. Boats on the Quay, 1875 is a painting of a single docked boat from a similar vantage point, also showing people walking along the shore. Boats - Entry to the Medina in the Isle of Wight, 1875 and Aboard a Yacht, 1875 are the last two paintings from this location. [6]
Youth on the Prow, and Pleasure at the Helm, 1832, 158.7 by 117.5 cm (62.5 by 46.3 in). Youth on the Prow, and Pleasure at the Helm (also known as Fair Laughs the Morn and Youth and Pleasure) is an oil painting on canvas by English artist William Etty, first exhibited in 1832.
Argenteuil Basin with a Single Sailboat (French: Bassin d'Argenteuil avec un seul voilier) is an oil on canvas autumn scene of the basin at Argenteuil, painted by French Impressionist artist Claude Monet in 1874.
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