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This is a list of notable flute players, ... Jerry Eubanks – Marshall Tucker Band; Peter Gabriel – Genesis; John Hackett; Barry Hay – Golden Earring; Tee Mac Iseli;
Chôros No. 2 for flute and clarinet; Chôros No. 7 for flute, oboe, clarinet, alto saxophone, bassoon, violin and cello with tam-tam ad lib; Quinteto (em forma de chôros) for flute, oboe, cor anglais, clarinet and bassoon; Carl Maria von Weber: Trio for Piano, Flute and Cello in G minor, Op. 63, J. 259 (1818-19)
This is a list of soul musicians who have either been influential within the genre, or have had a considerable amount of fame. Bands are listed by the first letter in their name (not including the words "a", "an", or "the"), and individuals are listed by last name.
The following works are some of the most universally respected and established cornerstones of the band repertoire. All have "stood the test of time" through decades of regular performance, and many, either through an innovative use of the medium or by the fame of their composer, helped establish the wind band as a legitimate, serious performing ensemble.
Barbara Gracey Thompson MBE (27 July 1944 – 9 July 2022) was an English jazz saxophonist, flautist and composer. She studied clarinet, flute, piano and classical composition at the Royal College of Music, but the music of Duke Ellington and John Coltrane made her shift her interests to jazz and saxophone.
The following is a list of soul jazz musicians ... Junior Mance [1] – piano; Herbie Mann – sax, flute; Hank Marr – organ; Pat Martino – guitar; Hugh Masekela ...
Nakai's music prominently features improvisations on the Native American cedar flute. He also plays the eagle-bone whistle, and uses synthesizers, chanting, and sounds from nature. Although he occasionally plays arrangements of traditional melodies, most of his music attempts to "[create] original compositions that capture the essence of his ...
Jeanne Baxtresser (born August 2, 1947) is an American flutist and teacher. She is most notable for her position as principal flutist of the New York Philharmonic for over 15 years, she decided to play the flute when she was only nine years old, as an author (Orchestral Excerpts for Flute with Piano Accompaniment), and as a professor and master teacher.