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Art and Print: the Curwen Story, Tate, 2008. ISBN 978-1-85437-721-0; Aldington, Craig and Collinge, RIBA Publishing, 2009. ISBN 978-1-85946-302-4; Robin Hood Gardens Re-Visions, Twentieth Century Society, London 2010. ISBN 978-095566-871-5; British Murals and Decorative Painting 1920–1960, London 2014 ISBN 978-1-908326-23-2
Arthur T. Gregorian, (1909 – January 14, 2003), was a Greater Boston oriental rug dealer and author of books on oriental rugs. He is considered by some to be the world's leading collector of rare, inscribed Armenian rugs.
Timothy Shay Arthur (June 6, 1809 – March 6, 1885) — known as T. S. Arthur — was a popular 19th-century American writer. He is famously known for his temperance novel Ten Nights in a Bar-Room and What I Saw There (1854), which helped demonize alcohol in the eyes of the American public.
Arthur Suydam was born May 18, 1953. His great-uncle, John Suydam, was an artist in the 19th-century Hudson River School of painting. He began drawing at age four, and while in high school, discovered a collection of workbooks from the Famous Artists Correspondence Course, from which he discovered Albert Dorne and Norman Rockwell, who became his early influences.
The wizard Merlin gives Arthur de Caldicot the "Seeing Stone" early in the story, along with the warning it will cease to work if anyone else shares in its knowledge. Through the stone Arthur observes the life of legendary King Arthur until his rise to power as King of Britain. It begins with the marriage of King Uther and Ygerna. They conceive ...
"A Study in Emerald" is a short story written by British fantasy and graphic novel author Neil Gaiman. The story is a Sherlock Holmes pastiche transferred to the Cthulhu Mythos universe of horror writer H. P. Lovecraft. Gaiman describes it as "Lovecraft/Holmes fan fiction". [1] It won the 2004 Hugo Award for Best Short Story.
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The story compares these emotions to those Arthur experiences as a revolutionary, particularly drawing on the relationship between religious and revolutionary feelings. This is especially explicit at the climax of the book, where sacred descriptions intertwine with reflections on the Gadfly's fate. Eventually Arthur is captured by the ...