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An American sampler: "Margaret Barnholt her sampler done in the twelth [sic] year of her age 1831". English band sampler featuring 'boxers', c. 1650 A needlework sampler is a piece of embroidery or cross-stitching produced as a 'specimen of achievement', [1] demonstration or a test of skill in needlework.
Violet Pritchard published English Medieval Graffiti in 1967, the result of research undertaken predominantly in churches in and around Cambridge. [4] The book was the first full-length work in English to be written on church graffiti, and became the key study for scholars and enthusiasts in the following decades.
Inscriptions cover a range of topics from poems, advertisements, political statements, to greetings. There are two forms of graffiti: painted inscriptions (usually public notices) and inscribed inscriptions (spontaneous messages). Many forms of graffiti also give insight to what certain locations acted as during the Roman Empire.
Of the Mathura inscriptions, the most significant is the Mora Well Inscription. [8] In a manner similar to the Hathibada inscription, the Mora well inscription is a dedicatory inscription and is linked to the cult of the Vrishni heroes: it mentions a stone shrine (temple), pratima (murti, images) and calls the five Vrishnis as bhagavatam.
Estampage or stamping, is a term commonly used in epigraphy to obtain the exact replica of an inscription that cannot be transported. According to Jayanti Madhukar, [1] it is defined as: a process of ‘lifting’ the inscriptions from the stone on to a piece of paper for a clearer read. The Merriam-Webster Dictionary defines it as: [2]
Attic Vase Inscriptions (AVI) is a web-based epigraphic database of ancient Attic vase inscriptions maintained by the AVI project at the University of Basel. It is an extension of Henry R. Immerwahr's CAVI ( Corpus of Attic Vase Inscriptions ).
Engraver: Grško Tihonić. Uses ligature ⰃⰓ. The date is written in Arabic numerals. Below this inscription there are several severely damaged inscriptions, in which the name Grško Tihonić can be read. No reproduction in Fučić 1982 of the 1524 inscription or what lies beneath it. [γο] 1524 Bribir (sv. Petra i Pavla)
In addition, there are six online catalogues, which are either only available in digital form or have not been published in print within the edition series "Die Deutschen Inschriften". DIO-1 The Inscriptions of the City of Mainz. First Part: The Inscriptions of the Cathedral and the Museum of Cathedral and Diocese ranging from 800 to 1350
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