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A cliché (UK: / ˈ k l iː ʃ eɪ / or US: / k l iː ˈ ʃ eɪ /; French:) is a saying, idea, or element of an artistic work that has become overused to the point of losing its original meaning, novelty, or figurative or artistic power, even to the point of now being bland or uninteresting. [1]
A thought-terminating cliché (also known as a semantic stop-sign, a thought-stopper, bumper sticker logic, or cliché thinking) is a form of loaded language, often passing as folk wisdom, intended to end an argument and quell cognitive dissonance.
A platitude is a statement that is seen as trite, meaningless, or prosaic, aimed at quelling social, emotional, or cognitive unease. [1] The statement may be true, but its meaning has been lost due to its excessive use as a thought-terminating cliché.
In these works he labeled a dull person as a "Bromide" contrasted with a "Sulphite" who was the opposite. Bromides meant either the boring person themself or the boring statement of that person, with Burgess providing many examples. This usage persisted through the 20th century into the 21st century.
Johnson's 18th-century definition was: "A clamourous, rude, mean, low, foul-mouthed woman", suggesting a level of vulgarity and a class distinction from the more generalised shrew, but this nuance has been lost. [26] In Johnson's time, the word formed part of a legal term, common scold which referred to rude and brawling women see below. [27]
"My biggest fight, more than reiterating stereotypes or cliches, is I am more afraid of dumbing down or watering down my culture for people just to make them understand it," she says.
White Americans were commonly viewed as feeling superior to African Americans, harboring hatred for Blacks, being brutish, impulsive, or mean, having a sense of pride, and anti-Semitic beliefs. [12] In another study on stereotypes in 1951, Cothran observed that the black lower and upper classes at that time had the least favorable stereotypes ...
"A picture is worth a thousand words" is an adage in multiple languages meaning that complex and sometimes multiple ideas [1] can be conveyed by a single still image, which conveys its meaning or essence more effectively than a mere verbal description.