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Sacred Harp singing is a tradition of sacred choral music that originated in New England and was later perpetuated and carried on in the American South. The name is derived from The Sacred Harp, a ubiquitous and historically important tunebook printed in shape notes. The work was first published in 1844 and has reappeared in multiple editions ...
The Sacred Harp is a shape note tunebook, originally compiled in 1844 by Benjamin Franklin White and Elisha J. King in Georgia and used to this day in revised form by Sacred Harp singers throughout America and overseas. This article is a historical overview and listing of the composers and poets who wrote the songs and texts of The Sacred Harp.
An 1847 publication of Southern Harmony, showing the title "New Britain" ("Amazing Grace") and shape note music. Play ⓘ. The roots of Southern Harmony singing, like the Sacred Harp, are found in the American colonial era, when singing schools convened to provide instruction in choral singing, especially for use in church services.
From its founding until 1867, White's The Sacred Harp was the "textbook" of the convention. It was a collection of songs notated by shape notes and featuring four-part harmonies. Shape-note singing had been taught by preachers and missionaries during the second Great Awakening , as a way of evangelizing to people on the frontier and in rural areas.
The Chattahoochee Musical Convention is a Sacred Harp singing convention. It is an annual gathering whose purposes are worship, through the singing of Sacred Harp music, and fostering of bonds of fellowship among singers. [1] It bears the distinction of being the oldest surviving Sacred Harp musical convention, having been founded in 1852.
The informal nature of Sacred Harp singing makes it difficult to identify performers in the usual sense. The music is rarely performed by a well-rehearsed ensemble in concert or recording studio settings, but rather is sung by attendees at gatherings and conventions, usually open to the public.
In just two years, J. L. White made three attempts to revise the Sacred Harp in a manner that would satisfy Sacred Harp singers. With the exception of the added gospel songs in close harmony, this 1911 "White Book" is the most traditional of the three early 20th century revisions of the Sacred Harp, reprinting the 1870 book almost "verbatim ...
Awake, My Soul: The Story of the Sacred Harp is a 2006 documentary film directed by Matt and Erica Hinton, and narrated by Jim Lauderdale. [2] [3] It follows the folk tradition of Sacred Harp singing, a type of shape-note singing, kept alive by amateur singers in the rural American South.