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E ♭ cornet, also known as a soprano cornet; Tenor horn, known as an Alto Horn in the US; Tuba in E-flat (written at concert pitch when using the bass clef, only transposing when written in treble clef) Circular altohorn (Koenig horn) pitched in E ♭ Tenor cornet; Mellophone; Alto trombone; Vocal horn (cornet with an upward-facing bell)
Most notes showing a double-flat or double-sharp correspond in pitch with a natural note but, since they are notated differently, are considered enharmonic equivalents of the natural note. The same is true for F ♭, C ♭, E ♯, and B ♯. In John Stump's Prelude and the Last Hope, double naturals are used to cancel double flats in a key ...
The flute is a member of a family of musical instruments in the woodwind group. Like all woodwinds, flutes are aerophones, producing sound with a vibrating column of air.. Flutes produce sound when the player's air flows across an ope
It evolved from the baroque one key transverso flute. The four key flute preempted the five key, and it progressed through multiple keyed flutes. It uses the six-hole fingering system of the fife for its natural scale, with the metal keys adding the ability to play the full chromatic scale and therefore making it possible to play in any key.
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Notes, of E Flat. E ♭ (E-flat) or mi bémol is the fourth semitone of the solfège. It lies a diatonic semitone above D and a chromatic semitone below E, thus being enharmonic to D ♯ or re dièse. In equal temperament it is also enharmonic with F (F-double flat). However, in some temperaments, D ♯ is not the same as E ♭.
Some of the reasons for the variety of names include: the varied uses of the instrument (e.g. courting), the wide dispersal of the instrument across language groups and geographic regions, legal statutes (see the Indian Arts And Crafts Act), and the Native American name controversy. Native American names for the flute include: Cheyenne: tâhpeno
E-flat major was the second-flattest key Mozart used in his music. For him, E-flat major was associated with Freemasonry; "E-flat evoked stateliness and an almost religious character." [4] Edward Elgar wrote his Variation IX "Nimrod" from the Enigma Variations in E-flat major. Its strong, yet vulnerable character has led the piece to become a ...
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