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Open content music database. 45,520,390 [19] 3,258,314 [19] 2,371,603 [19] GPL/LGPL/PD/CC BY-NC-SA. Free API [20] and XML data dumps. [21] MusicID: Official charts and indicative revenue data going back to 1900 [22] Aggregator of chart data from sources such as Billboard, OCC and more [23] Rate Your Music: Music database, community ratings ...
The chart utilizes digital performances on domestic online music services (60%), number of times the single was broadcast on KBS TV, radio and digital channels (20%), global pre-vote derived from Mubeat app (10%), album sales (5%), and social media score calculated using YouTube and TikTok data gathered from the Circle chart (5%) in its ranking ...
Prior to incorporating chart data from Nielsen SoundScan (from 1991), year-end charts were calculated by an inverse-point system based solely on a title's performance (for example a single appearing on the Billboard Hot 100 would be given one point for a week spent at position 100, two points for a week spent at position ninety-nine, and so forth, up to 100 points for each week spent at number ...
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Component charts have become an increasingly important way to measure the commercial success of individual songs. Reviewers often describe records using round number milestones within a chart. For example, a record that peaks at number 7 may be called a "Top 10" hit , even when there is no chart limited to only the top 10 records in that ...
Broadcast Data Systems (also known as Nielsen BDS, BDS or Luminate BDS) was a service that tracks radio, television and internet airplay of songs.The service, which is a unit of MRC Data, is a contributing factor to North American charts published by co-owned magazine Billboard, including the Billboard Hot 100 and Canadian Hot 100, when combined with sales and streaming data from Soundscan.
The single peaked at number 9 on the US Billboard Alternative Songs chart, where "Time to Pretend" had previously peaked at number 23. [10] NME named it the number-one song on its list of the Best Singles of 2008. [11] In October 2011, NME placed it at number 99 on its list "150 Best Tracks of the Past 15 Years". [12]