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The company was originally called Pickard China Studio and it specialized in hand-decorating dessert and tea sets. Pickard assembled a group of men and women china painters, many emigrating from Europe, to create this uniquely American style of hand-painted china. Many of the company's original artists were from the Art Institute of Chicago.
Technology and styles evolved. The decoration of some hand-painted plates and vases from the 19th century resembles oil paintings. In the later part of the 19th century china painting became a respectable hobby for middle-class women in North America and Europe. More recently interest has revived in china painting as a fine art form.
Chinese ceramics are one of the most significant forms of Chinese art and ceramics globally. They range from construction materials such as bricks and tiles, to hand-built pottery vessels fired in bonfires or kilns, to the sophisticated Chinese porcelain wares made for the imperial court and for export.
The ceramic is then glazed (if this had not been done already) and fired in a kiln to fix the pattern. With overglaze printing only a low-temperature firing was needed. The process produces fine lines similar to engraved prints. [2] Before transfer printing, ceramics were hand painted, a laborious and costly process.
The Willow pattern is a distinctive and elaborate chinoiserie pattern used on ceramic tableware. It became popular at the end of the 18th century in England when, in its standard form, it was developed by English ceramic artists combining and adapting motifs inspired by fashionable hand-painted blue-and-white wares imported from Qing dynasty China.
20th century Jingdezhen ware; bowl with "rice grain" decoration and factory mark: ä¸å›½æ™¯å¾·é•‡ ("China Jingdezhen") and MADE IN CHINA in English. Ceramics continue to be produced on a large scale in Jingdezhen, in a variety of styles, [76] many reproducing those of the past in a variety of qualities, [77] with Jingdezhen porcelain being ...
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