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Cyclops (Ancient Greek: Κύκλωψ, Kyklōps) is an ancient Greek satyr play by Euripides, based closely on an episode from the Odyssey. [1] It is likely to have been the fourth part of a tetralogy presented by Euripides in a dramatic festival in 5th Century BC Athens, although its intended and actual performance contexts are unknown. [2]
Eschen writes that VIVIS, "spent a great deal of the play wandering around the stage in a black slip with a bottle of tequila or confines in a mental institution" (Eschen). [8] During the scene where Medea ultimately makes the decision to kill her son, there is a choreographed dance by Alleluia Panis which "combined images of birth and death ...
The population of Plataea came to Athens as suppliants after the destruction of their city in 427 BC, a few years before the performance of this play. They were allowed to stay in Athens and, exceptionally, they were granted Athenian citizenship. This event may have influenced the play and its reception. [3]
Alcmaeon in Corinth (Ancient Greek: Ἀλκμαίων ὁ διὰ Κορίνθου, Alkmaiōn ho dia Korinthou; also known as Alcmaeon at Corinth, Alcmaeon) is a play by Greek dramatist Euripides. It was first produced posthumously at the Dionysia in Athens, most likely in 405 BCE, in a trilogy with The Bacchae and Iphigenia in Aulis .
Euripides has been hailed as a great lyric poet. [66] In Medea, for example, he composed for his city, Athens, "the noblest of her songs of praise". [67] His lyrical skills are not just confined to individual poems: "A play of Euripides is a musical whole...one song echoes motifs from the preceding song, while introducing new ones."
Rhesus (Ancient Greek: Ῥῆσος, Rhēsos) is an Athenian tragedy that belongs to the transmitted plays of Euripides.Its authorship has been disputed since antiquity, [1] and the issue has invested modern scholarship since the 17th century when the play's authenticity was challenged, first by Joseph Scaliger and subsequently by others, partly on aesthetic grounds and partly on account of ...
Conacher explores how Euripides expanded the myth of Admetus and Alcestis, and added elements of comedy and folk tales. Beye also discusses legendary and fairy tale aspects of the play. [citation needed] Alcestis is also a popular text for women's studies. Critics have indicated that the play's central focus is Admetus rather than Alcestis.
The play was first produced for the City Dionysia of Athens in 428 BC and won first prize as part of a trilogy. The text is extant. [1] Euripides first treated the myth in a previous play, Hippolytos Kalyptomenos (Ἱππόλυτος καλυπτόμενος – Hippolytus Veiled), which is lost, and survives only in fragments. What is known of ...