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Taylor wrote every song on the album Speak Now entirely by herself. Coming in at over six minutes, "Last Kiss" is the perfect example of why we're obsessed with Swift's songwriting prowess.
Here are all of Taylor Swift's track 5 songs, ranked. Cold As You. Taylor Swift introduced the inaugural track five on her self-titled debut album, creating the legacy fans would follow in her ...
Taylor Swift is a master songwriter. Here are her best lyrics, from her debut to pop stardom to folk, rerecords and "The Tortured Poets Department." ... We ranked Swift's 94 best song lyrics from ...
Taylor Swift Swift performed this song with T-Pain for the CMT Music Awards in June 2009. This song is a parody of Swift's 2008 single "Love Story". [159] "Monologue Song (La La La)" Taylor Swift Swift wrote a song to act as her monologue when she appeared as a host on Saturday Night Live in 2009. [160] "Three Sad Virgins" Taylor Swift Pete ...
"Death by a Thousand Cuts" is a song by the American singer-songwriter Taylor Swift for her seventh studio album Lover (2019). Written and produced by Swift and Jack Antonoff, it serves as the tenth track of the album. It is a pop torch song with an upbeat production. Unlike the singer's previous break-up songs which were diaristic in the ...
In June 2022, Business Insider ranked "I Don't Wanna Live Forever" as Swift's second-best soundtrack song, behind "Safe & Sound" (2012). [25] Billboard in April 2024 ranked the single as Swift's second-best collaboration, behind " Exile " (2020) featuring Bon Iver , opining that Swift and Zayn gave the track enough character for it to become ...
Taylor Swift’s discography is filled with confessional lyrics, but the singer is known for going especially deep on the fifth track of each of her records. “Track five is kind of a tradition ...
"Forever Winter" [a] is a song by the American singer-songwriter Taylor Swift from her second re-recorded album, Red (Taylor's Version) (2021). She wrote the track with Mark Foster and produced it with Jack Antonoff. It was intended for but excluded from Swift's fourth studio album, Red (2012).