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Symphonie fantastique: Épisode de la vie d'un artiste … en cinq parties (Fantastic Symphony: Episode in the Life of an Artist … in Five Sections) Op. 14, is a programmatic symphony written by Hector Berlioz in 1830. The first performance was at the Paris Conservatoire on 5 December 1830.
Nearly four thousand of Berlioz's letters have been preserved Hector Berlioz, Correspondance Générale I: 1803 – May 1832 [nos. 1–273], ed. by Pierre Citron (1972) Hector Berlioz, Correspondance Générale II: June 1832 – September 1842 [nos. 274–775], ed. by Frédéric Robert (1975)
La Symphonie fantastique is a 1942 French drama film by Christian-Jaque [1] and produced by the German-controlled French film production company Continental Films. The film is based upon the life of the French composer Hector Berlioz. The title is taken from the five-movement programmatic Symphonie fantastique of 1830.
Fantastique: Hector Berlioz, Symphonie fantastique; Farewell: Joseph Haydn, Symphony No. 45; The Fate of a Man: Jivan Gurgeni Ter-T'at'evosian, Symphony No. 2, The Fate of a Man (Sud'ba cheloveka) Faust: Franz Liszt, Symphony No. 1 in C minor; Feuer (Fire): Joseph Haydn, Symphony No. 59 in A major; Fire (Feuer): Joseph Haydn, Symphony No. 59 in ...
Hector Berlioz "Dream of Witches' Sabbath" from Symphonie Fantastique. The violins and violas play col legno, striking the wood of their bows on the strings (Berlioz 1899, 220–22). Heinrich Ignaz Franz von Biber; Battalia (1673).
Another significant model was given by Hector Berlioz in his programmatic Symphonie fantastique of 1830, whose "idée fixe" serves as a cyclic theme throughout the five movements. By the 1840s, the technique is already quite established, being found in several works by Robert Schumann , Fanny Hensel , Niels Gade , Franz Berwald , and the ...
Berlioz by August Prinzhofer, 1845. Louis-Hector Berlioz [n 1] (11 December 1803 – 8 March 1869) was a French Romantic composer and conductor. His output includes orchestral works such as the Symphonie fantastique and Harold in Italy, choral pieces including the Requiem and L'Enfance du Christ, his three operas Benvenuto Cellini, Les Troyens and Béatrice et Bénédict, and works of hybrid ...
In the composing of his programmatic piece Symphonie fantastique, Berlioz asked for two individual sets of timpani to be used. At one point during the piece, starting two measures after rehearsal number forty-nine in the third movement, Berlioz writes a timpani part to be played by four timpanists. [29]
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