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The Imaginary: A Phenomenological Psychology of the Imagination (French: L'Imaginaire: Psychologie phénoménologique de l'imagination), also published under the title The Psychology of the Imagination, is a 1940 book by the philosopher Jean-Paul Sartre, in which the author propounds his concept of the imagination and discusses what the existence of imagination shows about the nature of human ...
Three philosophers for whom imagination is a central concept are Kendall Walton, John Sallis and Richard Kearney. See in particular: Kendall Walton, Mimesis as Make-Believe: On the Foundations of the Representational Arts. Harvard University Press, 1990. ISBN 0-674-57603-9 (pbk.). John Sallis, Force of Imagination: The Sense of the Elemental (2000)
Active imagination refers to a process or technique of engaging with the ideas or imaginings of one's mind. It is used as a mental strategy to communicate with the subconscious mind. In Jungian psychology, it is a method for bridging the conscious and unconscious minds. Instead of being linked to the Jungian process, the phrase "active ...
The basic premise of the topic is that people who are experiencing it feel that their behavior or actions are the main focus of other people's attention. It is defined as how willing a child is to reveal alternative forms of themselves. The imaginary audience is a psychological concept common to the adolescent stage of human development.
In psychology, fantasy is a broad range of mental experiences, mediated by the faculty of imagination in the human brain, and marked by an expression of certain desires through vivid mental imagery. Fantasies are generally associated with scenarios that are impossible or unlikely to happen.
By articulating the ego in this way, "the category of the imaginary provides the theoretical basis for a long-standing polemic against ego-psychology" [3]: xxi on Lacan's part. Since the ego is formed by identifying with the counterpart or specular image, " identification " is an important aspect of the imaginary.
The roots of the modern concept of the imaginary can be traced back to Jean-Paul Sartre's 1940 book The Imaginary: A Phenomenological Psychology of the Imagination [according to whom?] in which Sartre discusses his concept of the imagination and the nature of human consciousness. Subsequent thinkers have extended Sartre's ideas into the realms ...
Some evidence shows that when people use their imagination to develop new ideas, those ideas are structured in predictable ways by the properties of existing categories and concepts. [57] Weisberg argued, by contrast, that creativity involves ordinary cognitive processes yielding extraordinary results.