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George Frideric Handel was the house composer at Cannons from August 1717 until February 1719. [1] The Chandos Anthems and other important works by Handel were conceived, written or first performed at Cannons. Cannons was a large house in Middlesex, the seat of James Brydges, 1st Duke of Chandos who was a patron of Handel.
Also, cannon shots are heard at the end of Rush's "Overture". [50] "The Disappearance of Mr Davenheim" (Episode 5, Series 2, of the British drama series, Agatha Christie's Poirot (1990)), the title character plays a record of the 1812 Overture so that the cannon fire will mask the sound of him breaking into his own safe. [51]
Arseny Mikhailovich Avraamov (Russian: Арсений Михайлович Авраамов) (1884, Novocherkassk, Russian Empire - 1944, Moscow, USSR) was an avant-garde Russian composer and music theorist. He studied at the music school of the Moscow Philharmonic Society, with private composition lessons from Sergey Taneyev.
Carl Philipp Emanuel Bach (8 March 1714 – 14 December 1788), [1] also formerly spelled Karl Philipp Emmanuel Bach, [2] and commonly abbreviated C. P. E. Bach, was a German Baroque and Classical period composer and musician, the fifth child and second surviving son of Johann Sebastian Bach and Maria Barbara Bach.
Masses nos. 9–14 form a group: each was composed by Haydn for the Esterházy family, to celebrate the name day (12 September) of Princess Maria Hermenegild, the wife of Prince Nikolaus II and a friend of the composer. [2]
Pachelbel's Canon (also known as the Canon in D, P 37) is an accompanied canon by the German Baroque composer Johann Pachelbel. The canon was originally scored for three violins and basso continuo and paired with a gigue, known as Canon and Gigue for 3 violins and basso continuo. Both movements are in the key of D major.
Heinrich Schütz (German:; 18 October [O.S. 8 October] 1585 [1] – 6 November 1672 [2]) was a German early Baroque composer and organist, generally regarded as the most important German composer before Johann Sebastian Bach and one of the most important composers of the 17th century.
Westron Wynde is an early 16th-century song whose tune was used as the basis (cantus firmus) of Masses by English composers John Taverner, Christopher Tye and John Sheppard. The tune first appears with words in a partbook of around 1530, catalogued by the British Library as Royal Appendix MS 58. [ 1 ]