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"Ebony and Ivory" is a song that was released in 1982 as a single by Paul McCartney featuring Stevie Wonder. It was issued on 29 March that year as the lead single from McCartney's third solo album, Tug of War (1982). Written by McCartney, the song aligns the black and white keys of a piano keyboard with the theme of racial harmony.
Back to Black (song) Baker Street (song) Bang and Blame; Bang Bang (will.i.am song) Before We Drown; Beggin for Thread; Begin Again (Space song) Behind the Wheel; Being Boring; La Berceuse du petit diable; Better Now; Big Big World (song) Big Time Sensuality; Black and White (Kylie and Garibay song) Black Balloon (Goo Goo Dolls song) Black ...
Journalist Whitney Pastorek compared the song to McCartney's 1982 duet with Stevie Wonder, "Ebony and Ivory". She asserted that "Say Say Say" was a better song, and had a better "though slightly more nonsensical" music video, adding that the song had no "heavy-handed social content". [28]
Disc 2; No. Title From the album Length; 1. "For Once in My Life" (Miller, Murden) 2:48: 2. "Uptight (Everything's Alright)" (Moy, Paul, Wonder) 2:53: 3.
A music video is a video that integrates a song or an album with imagery that is produced for promotional or musical artistic purposes. Modern music videos are primarily made and used as a music marketing device intended to promote the sale of music recordings.
Ivory Music and Video, Inc. (formerly Ivory Records Corporation) is a Philippine record label owned by Viva Music Group, a subsidiary of Viva Communications, Inc. The label works with OPM veteran artists and bands/groups such as the Company, Side A, Wolfgang, MYMP, Roselle Nava and April Boy Regino, as well as contemporary artists like Maja Salvador and Silent Sanctuary.
A music video for the song was directed by Michel Gondry, features Natalie Portman and Mackenzie Crook, and is choreographed by Blanca Li using the technique Pepper's ghost to interject both Paul's home and the ghosts making them appear in the house. It begins with a Royal Mail postman (Crook) delivering a package to McCartney's Home.
The film begins with a backstory of how African-American culture's popularity with the American public began to decline in the 1980s, when style and originality began to lose appeal in the public eye due to the persistent efforts of "The Man", a powerful Caucasian man in control of a secret organization that seeks to undermine the African-American community as well as the cultures of other ...