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The hangerok (sometimes spelled hangerock or hangeroc) was a type of dress worn by Viking women and some other early medieval northern European cultures. The garment was shaped somewhat like a pinafore, with two straps over the shoulders secured by brooches. It would usually be worn over a tunic-dress called a særk or a kirtle (underdress).
Woman in medieval Viking dress using a drop spindle and wearing multiple temple rings. A temple ring is an ornament that hangs from a headdress or in braids of hair in the front area at the side of the head – i.e. near a person's anatomical temple. Temple rings were part of Slavic, Scandinavian and others' medieval women's dress. Most were ...
Gold jewellery from the 10th century Hiddensee treasure, mixing Norse pagan and Christian symbols. Pair of "tortoise brooches," which were worn by married Viking women. Viking art, also known commonly as Norse art, is a term widely accepted for the art of Scandinavian Norsemen and Viking settlements further afield—particularly in the British Isles and Iceland—during the Viking Age of the ...
The headpiece, called a skaut, is worn by married women from Hardanger. Other headpieces are worn by Hardanger women, including beaded caps worn by young girls, and headband-like wraps worn by young unmarried women. (See also Hardangerbunad) Bunad (Norwegian: [ˈbʉ̂ːnɑd], plural: bunader/bunadar) is a Norwegian umbrella term.
Later Viking jewelry also starts to exhibit simplistic geometric patterns. [27] The most intricate Viking work recovered is a set of two bands from the 6th century in Alleberg, Sweden. [26] Barbarian jewelry was very similar to that of the Vikings, having many of the same themes. Geometric and abstract patterns were present in much of barbarian ...
Demorest Paper Patterns were also advertised in other women's magazines at the time. [2] By the 20th century, sewing patterns were marketed for home dressmakers as well as professionals, and available in magazines, catalogs, and in shops. The commercial paper pattern industry had begun to be a major influence in the clothing industry. [2]
Women of wealth wore gold chains and other precious jewelry--; collar-like necklaces called carcanets, earrings, bracelets, rings, and jewelled pins. Bands of jeweler's work were worn as trim by the nobility, and would be moved from dress to dress and reused. Large brooches were worn to pin overpartlets to the dress beneath.
Janet Arnold (6 October 1932 – 2 November 1998) was a British clothing historian, costume designer, teacher, conservator, and author.She is best known for her series of works called Patterns of Fashion, which included accurate scale sewing patterns, used by museums and theatres alike.
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