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While Ruskin's essay plainly praises and disparages use of the pathetic fallacy in various contexts, his phrase has been remembered as a "pejorative", [10] used to criticize the sentimentality that was common to the poetry of the late 18th century, especially among poets like Burns, Blake, Wordsworth, Shelley, and Keats. Wordsworth supported ...
Personification is the representation of a thing or abstraction as a person. It is, in other words, considered an embodiment or an incarnation. [ 1 ] In the arts , many things are commonly personified.
A national personification is an anthropomorphic personification of a state or the people(s) it inhabits. It may appear in political cartoons and propaganda. Some personifications in the Western world often took the Latin name of the ancient Roman province. Examples of this type include Britannia, Germania, Hibernia, Hispania, Helvetia and Polonia.
Example: My stick fingers click with a snicker And, chuckling, they knuckle the keys; Light-footed, my steel feelers flicker And pluck from these keys melodies. —“Player Piano,” John Updike. Euphony –A series of musically pleasant sounds that give the poem a melodious quality, conveying a sense of harmony to the reader.
The poem is a dialogue between a narrator who serves as a questioner and a little girl, with part of the evolving first stanza contributed by Coleridge. [8] The poem is written in ballad form. The poem begins with the narrator asking: A simple child, dear brother Jim, That lightly draws its breath, And feels its life in every limb,
Personification, the attribution of human form and characteristics to abstract concepts such as nations, emotions and natural forces like seasons and the weather, is a literary device found in many ancient texts, including the Hebrew Bible and Christian New Testament. Personification is often part of allegory, parable and metaphor in the Bible. [1]
John A. Rea wrote about the poem's "alliterative symmetry", citing as examples the second line's "hardest – hue – hold" and the seventh's "dawn – down – day"; he also points out how the "stressed vowel nuclei also contribute strongly to the structure of the poem" since the back round diphthongs bind the lines of the poem's first ...
The personification of death changes from one of pleasantry to one of ambiguity and morbidity: "Or rather—He passed Us— / The Dews drew quivering and chill—" (13–14). The imagery changes from its original nostalgic form of children playing and setting suns to Death's real concern of taking the speaker to the afterlife.