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In some literature, tonality is a generic term applied to pre-modern music, referring to the eight modes of the Western church, implying that important historical continuities underlie music before and after the emergence of the common practice period around 1600, with the difference between tonalité ancienne (before 1600) and tonalité ...
Carl Dahlhaus (1990) distinguishes between coordinate and subordinate harmony. Subordinate harmony is the hierarchical tonality or tonal harmony well known today. Coordinate harmony is the older Medieval and Renaissance tonalité ancienne , "The term is meant to signify that sonorities are linked one after the other without giving rise to the ...
Meyer lists melody, rhythm, timbre, harmony, "and the like" [12] as principal elements of music, while Narmour lists melody, harmony, rhythm, dynamics, tessitura, timbre, tempo, meter, texture, "and perhaps others". [13] According to McClellan, two things should be considered, the quality or state of an element and its change over time. [14]
The difference in pitch between two notes is called an interval. The most basic interval is the unison, ... harmony, tonality, rhythm, meter, and form.
Tonality describes the relationships between the elements of melody and harmony – tones, intervals, chords, and scales. These relationships are often characterized as hierarchical, such that one of the elements dominates or attracts another.
The term 'functional harmony' derives from Hugo Riemann and, more particularly, from his Harmony Simplified. [11] Riemann's direct inspiration was Moritz Hauptmann's dialectic description of tonality. [12] Riemann described three abstract functions: the tonic, the dominant (its upper fifth), and the subdominant (its lower fifth). [13]
An interest in harmony had also existed among certain composers in the Renaissance, notably Carlo Gesualdo; [19] However, the use of harmony directed towards tonality (a focus on a musical key that becomes the "home note" of a piece), rather than modality, marks the shift from the Renaissance into the Baroque period. [20]
Key coloration is the difference between the intervals of different keys in a single non-equal tempered tuning, and the overall sound and "feel" of the key created by the tuning of its intervals. Historical irregular musical temperaments usually have the narrowest fifths between the diatonic notes ("naturals") producing purer thirds , and wider ...