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Etymologically, the word 'kompang' is absorbed from the Javanese: ꦏꦺꦴꦩ꧀ꦥ꧀ꦭꦁ, romanized: komplang which means "empty" or "hollow", this refers to the shape of the kompang musical instrument itself which has a hollow part (on the back that is not covered with skin) so that it can produce loud sounds when hit. [6]
Reog dance , a traditional Javanese dance, performed in an open arena that serves as folk entertainment, contains magical elements, the main dancer is a lion-headed person with a peacock feather decoration, plus several masked dancers and Kuda Lumping.
Javanese dance is usually associated with courtly, refined, and sophisticated culture of the Javanese kratons, such as the bedhaya and srimpi dance. However, in a wider sense, Javanese dance also includes the dances of Javanese commoners and villagers, such as ronggeng, tayub, reog, and jaran kepang. Javanese dance and its discipline has ...
Bambangan Cakil (Javanese: ꧋ꦧꦩ꧀ꦧꦔꦤ꧀ꦕꦏꦶꦭ꧀) is a classical dance-drama [1] of jawir people in—particularly—Central Java, Indonesia. [2] This dance-drama demonstrates wayang performance due to the movement is adopted from one of the scenes in wayang kulit performance, that is the Perang Kembang scene. [3]
The obvious difference between courtly dance and common folk dance traditions is the most evident in Javanese dance. Javanese stratified social class is reflected in its culture, where the upper noble class are more concentrated and deeply concern with refinement, spiritual and sophistication; while the commoners are usually more interested in ...
These Javanese values were often promoted through Javanese cultural expressions, such as Javanese dance, gamelan, wayang and batik as national culture of Indonesia. It also being reinforced through adherence to Javanese adat (traditional rules) in ceremonies, such as Slametan, Satu Suro, Javanese wedding and Naloni Mitoni.
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Gandrung dance performance in Balinese manuscripts. A collection of the University of Leiden, Netherlands. Gandrung derives its name from the Javanese word for "love". [1] It is theorized that the dance originated as a ritual dance to express the people's affection for the rice goddess Dewi Sri, [4] with trance and as a kind of fertility dance. [5]