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  2. Woodblock printing - Wikipedia

    en.wikipedia.org/wiki/Woodblock_printing

    Bronze plate for printing an advertisement for the Liu family needle shop at Jinan, Song dynasty (960-1279). The world's oldest extant print advertising medium. Evidence of woodblock printing appeared in Korea and Japan soon afterward.

  3. Conservation and restoration of woodblock prints - Wikipedia

    en.wikipedia.org/wiki/Conservation_and...

    Insects and pests can destroy woodblock prints by eating through the paper or leaving droppings that stain the paper. A common cause of holes in Japanese woodblock prints is the deathwatch beetle (Xestobium rufovillosum). These beetles were commonly found in wood used to build furniture in the Edo period. Woodblock prints that were stored on ...

  4. Woodcut - Wikipedia

    en.wikipedia.org/wiki/Woodcut

    The Four Horsemen c. 1496–98 by Albrecht Dürer, depicting the Four Horsemen of the Apocalypse. Woodcut is a relief printing technique in printmaking.An artist carves an image into the surface of a block of wood—typically with gouges—leaving the printing parts level with the surface while removing the non-printing parts.

  5. Wood engraving - Wikipedia

    en.wikipedia.org/wiki/Wood_engraving

    Wood engraving is a printmaking technique, in which an artist works an image into a block of wood. Functionally a variety of woodcut , it uses relief printing , where the artist applies ink to the face of the block and prints using relatively low pressure.

  6. Woodblock printing in Japan - Wikipedia

    en.wikipedia.org/wiki/Woodblock_printing_in_Japan

    The Great Wave off Kanagawa (神奈川沖浪裏, Kanagawa-oki nami-ura) print by Hokusai Metropolitan Museum of Art. Woodblock printing in Japan (木版画, mokuhanga) is a technique best known for its use in the ukiyo-e [1] artistic genre of single sheets, but it was also used for printing books in the same period.

  7. State (printmaking) - Wikipedia

    en.wikipedia.org/wiki/State_(printmaking)

    In printmaking, a state is a different form of a print, caused by a deliberate and permanent change to a matrix such as a copper plate (for engravings etc.) or woodblock (for woodcut). Artists often take prints from a plate (or block, etc.) and then do further work on the plate before printing more impressions (copies).

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