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Jane Austen's (1775–1817) distinctive literary style relies on a combination of parody, burlesque, irony, free indirect speech and a degree of realism. She uses parody and burlesque for comic effect and to critique the portrayal of women in 18th-century sentimental and Gothic novels.
Jane Austen (/ ˈ ɒ s t ɪ n, ˈ ɔː s t ɪ n / OST-in, AW-stin; 16 December 1775 – 18 July 1817) was an English novelist known primarily for her six novels, which implicitly interpret, critique, and comment upon the English landed gentry at the end of the 18th century. Austen's plots often explore the dependence of women on marriage for ...
Free indirect discourse can be described as a "technique of presenting a character's voice partly mediated by the voice of the author". In the words of the French narrative theorist Gérard Genette, "the narrator takes on the speech of the character, or, if one prefers, the character speaks through the voice of the narrator, and the two instances then are merged". [1]
Jane Austen wrote the first draft of the novel in the form of a novel-in-letters (epistolary form) perhaps as early as 1795 when she was about 19 years old, or 1797, at age 21, and is said to have given it the title Elinor and Marianne. She later changed the form to a narrative and the title to Sense and Sensibility. [5]
The opening chapters of North and South indicate an apparent novel of manners in the style of Jane Austen, [49] with preparations for the marriage in London of a silly bride and a lively, intelligent heroine; in the country village of Helstone (a fictional place in the English county of Hampshire), a bachelor in search of fortune (Henry Lennox ...
Using examples from the works of Heinrich von Kleist and Jane Austen, Prose discusses how writers can develop characterization. She mentions that Kleist, in his "The Marquise of O—" ignores physical description of the characters, but instead "tells us just as much as we need to know about his characters, then releases them into the narrative ...
Some of the best costume dramas on the big and small screen were adapted from an Austen classic, including the BBC’s 1995 TV series ‘Pride and Prejudice’, which catapulted Colin Firth to fame.
In a 1796 letter Charles Lamb testified to Coleridge's thorough relish for Cowper, and on his own account wrote of Cowper as an old favourite and of "reading the Task with fresh delight". [8] Wordsworth borrowed a copy while still a schoolboy, and the poem's influence on his Tintern Abbey and The Prelude is widely recognised. [9]