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Dutch Golden Age painting is the painting of the Dutch Golden Age, a period in Dutch history roughly spanning the 17th century, [1] during and after the later part of the Eighty Years' War (1568–1648) for Dutch independence. The new Dutch Republic was the most prosperous nation in Europe and led European trade, science, and art.
In the 17th century the Dutch were very interested in flowers and gardening, so paintings that highlighted the beauty of nature were highly valued. This helped to build and maintain Ruysch's clientele throughout her career. [7] In her lifetime her paintings were sold for prices as high as 750–1200 guilders.
Still Life Paintings from the Netherlands 1550–1720, (Dutch:Het Nederlandse Stilleven 1550–1720) is a 1999 art exhibition catalog published for a jointly held exhibition by the Rijksmuseum Amsterdam (19 June – 9 September 1999) and Cleveland Museum of Art (31 October 1999 – 9 January 2000).
Dutch Golden Age painting was among the most acclaimed in the world at the time, during the seventeenth century. During the Dutch Golden Age, there was such a high output of paintings that prices for artwork declined. From the 1620s, Dutch painting broke decisively from the Baroque style typified by Rubens in neighboring Flanders into a more ...
Joanna Koerten, (married name Joanna Block) (17 November 1650 in Amsterdam – 28 December 1715 in Amsterdam) was a Dutch artist who excelled in painting, drawing, embroidery, glass etching, and wax modeling. She achieved fame as a silhouette cutter, the art of creating outline images from pieces of cut paper mounted on a contrasting background ...
This is a list of Dutch painters who were born and/or were primarily active in the Netherlands. For artists born and active in the Southern Netherlands , see the List of Flemish painters . The artists are sorted by century and then alphabetically by last name.
He collected the works of flower artists, both by his contemporaries and the great 17th-century Dutch still life painters Jan Davidsz. de Heem, Abraham Mignon, Rachel Ruysch and Jan van Huysum. [ 3 ] Philippe-Jacques van Bree , Interior of the Studio of Van Dael and his students at the Sorbonne , 1816
Unlike her husband, brothers and sister, Alida acquired a certain reputation painting under her own name, principally due to her botanical images. In Hoorn a number of the Withoos children were active as artists of flowers, birds, butterflies and insects. In inventories, such images were regularly called "Withoosjes". [3]