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Dutch Golden Age painting is the painting of the Dutch Golden Age, a period in Dutch history roughly spanning the 17th century, [1] during and after the later part of the Eighty Years' War (1568–1648) for Dutch independence. The new Dutch Republic was the most prosperous nation in Europe and led European trade, science, and art.
Department of Paintings of the Louvre: INV 1553 66 Still Life with Globe, Books, Sculpture, and Other Objects: Jan van der Heyden: 1670 Academy of Fine Arts Vienna: 67 Vase of Flowers: Simon Pietersz Verelst: 1670 Cleveland Museum of Art: 68 Flowers in a Glass Vase: Dirck de Bray: 1671 Los Angeles County Museum of Art: M.2009.106.4 69 Still ...
Dutch Golden Age painting was among the most acclaimed in the world at the time, during the seventeenth century. During the Dutch Golden Age, there was such a high output of paintings that prices for artwork declined. From the 1620s, Dutch painting broke decisively from the Baroque style typified by Rubens in neighboring Flanders into a more ...
In the 17th century the Dutch were very interested in flowers and gardening, so paintings that highlighted the beauty of nature were highly valued. This helped to build and maintain Ruysch's clientele throughout her career. [7] In her lifetime her paintings were sold for prices as high as 750–1200 guilders.
For example, sometimes the butterfly is resting on a flower stem, or on the edge of a table with a flower vase, or on a book. The butterfly was used as a device to draw the viewer's attention into the painting and into van Oosterwijck's artistic vision. [8] The butterflies are also symbolic of Christ's resurrection. [17]
This is a list of Dutch painters who were born and/or were primarily active in the Netherlands. For artists born and active in the Southern Netherlands , see the List of Flemish painters . The artists are sorted by century and then alphabetically by last name.
A training in painting was expensive and not often given to daughters, but talented daughters could be trained to work in the studio of their father, uncle, brother or spouse, often under his name. Unlike her husband, brothers and sister, Alida acquired a certain reputation painting under her own name, principally due to her botanical images.
Although landscape paintings were popular in seventeenth-century Dutch art, the depiction of a specific industry and its connection with a particular place was relatively rare at the time. [1] Ruisdael was the one to popularize the painting of such landscape views of Haarlem, including the industry that the town was known for. [ 1 ]