Search results
Results from the WOW.Com Content Network
Kullervo, a tragic hero from the Karelian and Finnish Kalevala. The influence of the Aristotelian hero extends past classical Greek literary criticism.Greek theater had a direct and profound influence on Roman theater and formed the basis of Western theater, with other tragic heroes including Macbeth in William Shakespeare's The Tragedy of Macbeth, and Othello in his Othello. [4]
Mythos [from Ancient Greek μῦθος mûthos] is the term used by Aristotle in his Poetics (c. 335 BCE) to mean an Athenian tragedy's plot as a "representation of an action" [1] or "the arrangement of the incidents" [2] that "represents the action". [3]
Films where one or more of the members of the main cast are philosophers: Alexander (2004) – Based on the life of Alexander the Great, who is mentored by Aristotle (Christopher Plummer). The Fall of the Roman Empire (1964) Features Roman emperor and stoic philosopher Marcus Aurelius (Alec Guinness) during the first segment of the film.
Poetic justice describes an obligation of the dramatic poet, along with philosophers and priests, to see that their work promotes moral behavior. [10] 18th-century French dramatic style honored that obligation with the use of hamartia as a vice to be punished [10] [11] Phèdre, Racine's adaptation of Euripides' Hippolytus, is an example of French Neoclassical use of hamartia as a means of ...
Aristotle considers length or time in a distinction between the epic and tragedy: Well then, epic poetry followed in the wake of tragedy up to the point of being a (1) good-sized (2) imitation (3) in verse (4) of people who are to be taken seriously; but in its having its verse unmixed with any other and being narrative in character, there they ...
Denzel Washington and Frances McDormand play Macbeth and Lady Macbeth in Joel Coen's magisterially bleak Shakespeare adaptation. On Joel Coen's 'The Tragedy of Macbeth,' a recommendation in five ...
The film is noted for its attempted "Westernized stylings" including its surreal use of decor, women-soldiers with long hair, etc. The film also had English-subtitles, but as some scholars have noted, since few foreigners watched these films, the subtitles were more to give off an air of the West rather than to serve any real purpose. [41] [42]
Aristotle's use of the term opsis, as Marvin Carlson points out, is the "final element of tragedy," but the term "receive[d] no further consideration". [3] Aristotle discusses opsis in book 6 of the poetics, [4] but only goes as far as to suggest that "spectacle has, indeed, an emotional attraction of its own, but, of all the parts, it is the least artistic, and connected least with the art of ...