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Turkish folk music (Turkish: Türk Halk Müziği) is the traditional music of Turkish people living in Turkey influenced by the cultures of Anatolia and former territories in Europe and Asia. Its unique structure includes regional differences under one umbrella. It includes popular music from the Ottoman Empire era.
List of Turkish Folk Music anonymous songs, songwriter uncertain (anonymous music), in accordance with the Turkish folk music (Turkish: Türk Halk Müziği) songs list.
The folklore of Turkey is extremely diverse. Nevertheless, Turkish folk music is dominantly marked by a single musical instrument called saz or bağlama, a type of long-necked lute. Traditionally, saz is played solely by traveling musicians known as ozan or religious Alevi troubadours called aşık. [21]
Kâtibim" ("my clerk"), or "Üsküdar'a Gider İken" ("while going to Üsküdar") is a Turkish folk song about someone's clerk as they travel to Üsküdar. The tune is an Istanbul türkü, [1] which is spread beyond Turkey in many countries, especially in the Balkans.
Pages in category "Turkish folk songs" ... Turna (song) This page was last edited on 16 January 2021, at 01:52 (UTC). Text is available under the Creative ...
Hekimoğlu (English: The Ballad of Hekimoğlu) is a popular Turkish türkü (folk song) in the musical modal Chahargah with a rhythm of 4/4. Although the TRT archive lists Ümit Tokcan as the source under the repertoire number 110, Ümit Tokcan himself says that the folk song was actually compiled by Kadir İnanır.
Fantezi is a Turkish classical music genre composed in Turkish pop music in accordance with the tradition of the Turkish people. Also called folk song or urban folk music, in its plural form is a Turkish music genre which has taken many forms over the years. Fantezi followed after the commercialization of Turkish classical music and Kanto music ...
Veysel's opinion that folk music was intrinsically and inseparably connected to the land even extended into Turkish music played on Turkish instruments, by Turkish musicians; once asked to listen to another musician play a folk song on the saz, Veysel commented that whilst the song was still beautiful, it had been removed from its homeland in ...