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A depiction of the malformed Igor. Igor, or sometimes Ygor, is a stock character, a sometimes hunch-backed laboratory assistant to many types of Gothic villains or as a fiendish character who assists only himself, the latter most prominently portrayed by Bela Lugosi in Son of Frankenstein (1939) and The Ghost of Frankenstein (1942).
"The Outsider" is a short story by American horror writer H. P. Lovecraft. Written between March and August 1921, it was first published in Weird Tales, April 1926. [1] In this work, a mysterious individual who has been living alone in a castle for as long as he can remember decides to break free in search of human contact and light.
The prose version enunciates the identical themes of the poem, that man cannot control his thoughts because man has a subconscious that he cannot completely control. James Bieri described the poem: "The Alastor theme of loss is continued in 'Mutability,' with its lovely initial lines, 'We are as clouds that veil the midnight moon; / How ...
Personification in the Bible is mostly limited to passing phrases which can probably be regarded as literary flourishes, [18] with the important and much-discussed exception of Wisdom in the Book of Proverbs, 1–9, where a female personification is treated at some length, and makes speeches. [19]
Percy Bysshe Shelley's 1816 poem "Mutability" in a draft of Frankenstein with his changes to the text in his handwriting. Bodleian. Oxford. Since the initial publication of Mary Wollstonecraft Shelley's novel Frankenstein; or, The Modern Prometheus in 1818, there has existed uncertainty about the extent to which Mary Shelley's husband, Percy Bysshe Shelley, contributed to the text.
The "Frankenstein complex" is similar in many respects to Masahiro Mori's uncanny valley hypothesis. The name, "Frankenstein complex", is derived from the name of Victor Frankenstein in the 1818 novel Frankenstein; or, The Modern Prometheus by Mary Shelley. In Shelley's story, Frankenstein created an intelligent, somewhat superhuman being, but ...
The war against humanity has begun. Only now things will be different. Victor Leben, once Frankenstein, has not only seen the future—he’s ready to populate it. Using stem cells, “organic” silicon circuitry, and nanotechnology, he will engender a race of superhumans—the perfect melding of flesh and machine.
The concept for the series was adapted from a treatment written by Koontz and Anderson for the 2004 TV movie Frankenstein, which was produced for the USA Network.Koontz withdrew from the project over creative differences with the network, and the production continued in a different direction with similar characters and a modified plot while Koontz was allowed to publish his own series.