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Chalcedon was an episcopal see at an early date and several Christian martyrs are associated with Chalcedon: The virgin St. Euphemia and her companions in the early 4th century; the cathedral of Chalcedon was consecrated to her. St. Sabel the Persian and his companions. It was the site of various ecclesiastical councils.
The Council of Chalcedon (/ k æ l ˈ s iː d ən, ˈ k æ l s ɪ d ɒ n /; Latin: Concilium Chalcedonense) [a] was the fourth ecumenical council of the Christian Church. It was convoked by the Roman emperor Marcian. The council convened in the city of Chalcedon, Bithynia (modern-day Kadıköy, Istanbul, Turkey) from 8 October to 1 November 451 ...
Another reference to a gem by the name of khalkedón (χαλκηδών) is found in the Book of Revelation (21:19); however, it is a hapax legomenon, found nowhere else in the Bible, so it is hard to tell whether the precious gem mentioned in Revelation is the same as the mineral known by this name today. [7]
Even though Chalcedon reaffirmed the Third Council's condemnation of Nestorius, the Non-Chalcedonians always suspected that the Chalcedonian Definition tended towards Nestorianism. This was in part because of the restoration of a number of bishops deposed at the Second Council of Ephesus, bishops who had previously indicated what appeared to be ...
The Chalcedonian doctrine of the Hypostatic Union states that Jesus Christ has two natures, divine and human, possessing a complete human nature while remaining one divine hypostasis. It asserts that the natures are unmixed and unconfused, with the human nature of Christ being assumed at the incarnation without any change to the divine nature.
The use of metal was less common. When the inscription is properly cut into the stone, it is called a titulus or marble; if merely scratched on the stone, the Italian word graffito is used; a painted inscription is called dipinto, and a mosaic inscription—such as those found largely in North Africa, Spain, and the East—are called opus musivum.
In such a way the symbol expresses the idea that the Cross saves. [13] The two letters tau and rho can also be found separately as symbols on early Christian ossuaries. [14] The Monogrammatic Cross was later seen also as a variation of the Chi Rho symbol, and it spread over Western Europe in the 5th and 6th centuries. [15]
The agony of Jesus in the Garden is the first (or second) station of the Scriptural Way of the Cross (modern version of the Via Crucis) and the first "sorrowful mystery" of the Dominican Rosary, and it is the inspiration for the Holy Hour devotion in the Eucharistic adoration. It has been a frequent theme in Christian art depicting the life of ...